Harpsichord Concerto in d minor Johann Sebastian Bach
Allegro, Adagio, Allegro
Johann Sebastian Bach and Handel deserve credit
for inventing, as it were, the keyboard concerto. Handel did so with the
concertos for organ that he often played in between sections of his oratorios,
and Bach with the increasingly prominent part for the harpsichord in the fifth
concerto of the Brandenburg set. The keyboard instruments had always enjoyed a
generous helping of solo repertoire, but in ensembles, they were generally used
for accompaniment. Bach and Handel brought them to the fore in their concertos
and set the precendent for countless works composed since. Bach's clavier
concertos were probably written for use in the Leipzig Collegium Musicum, which
Bach directed for some time toward the end of his career. The concerto in D
Minor heard this evening is most likely a transcription of a now-lost violin
concerto—many of the musical devices reflect probable origins in string
writing, especially in the first movement. The concerto reflects more the
ideals of the "modern" concerto as popularized by Vivaldi in his
preference for the fast-slow-fast order of movements. The outer movements are
characterized by driving, motoric rhythms characteristic of Vivaldi's style
(Bach had, during his years in Weimar, had access to the Ducal library's
extensive collection of Italian works and had made many transcriptions of
pieces by Vivaldi for organ and harpsichord), and the second movement is based
upon a freely repeating bass pattern over which a beautifully decorated melody
is worked out. This concerto must rated highly in the estimation of Bach's son,
Carl Philip Emmanuel, who made his own arrangement of it some years later. David Schrader
Classical Music | Music for Harpsichord
Johann Sebastian Bach
Harpsichord Concerto in d minor
PlayRecorded on 05/24/2007, uploaded on 09/24/2010
Musician's or Publisher's Notes
Harpsichord Concerto in d minor Johann Sebastian Bach
Allegro, Adagio, AllegroJohann Sebastian Bach and Handel deserve credit for inventing, as it were, the keyboard concerto. Handel did so with the concertos for organ that he often played in between sections of his oratorios, and Bach with the increasingly prominent part for the harpsichord in the fifth concerto of the Brandenburg set. The keyboard instruments had always enjoyed a generous helping of solo repertoire, but in ensembles, they were generally used for accompaniment. Bach and Handel brought them to the fore in their concertos and set the precendent for countless works composed since. Bach's clavier concertos were probably written for use in the Leipzig Collegium Musicum, which Bach directed for some time toward the end of his career. The concerto in D Minor heard this evening is most likely a transcription of a now-lost violin concerto—many of the musical devices reflect probable origins in string writing, especially in the first movement. The concerto reflects more the ideals of the "modern" concerto as popularized by Vivaldi in his preference for the fast-slow-fast order of movements. The outer movements are characterized by driving, motoric rhythms characteristic of Vivaldi's style (Bach had, during his years in Weimar, had access to the Ducal library's extensive collection of Italian works and had made many transcriptions of pieces by Vivaldi for organ and harpsichord), and the second movement is based upon a freely repeating bass pattern over which a beautifully decorated melody is worked out. This concerto must rated highly in the estimation of Bach's son, Carl Philip Emmanuel, who made his own arrangement of it some years later. David Schrader
More music by Johann Sebastian Bach
French Suite No 6 in E major BWV 817
Prelude in b minor
Prelude and Fugue in A minor BWV 894
Nun komm’ der Heiden Heiland, BWV 659
Well Tempered Clavier - Prelude 1
English Suite No. 2 in a minor, BWV 807
Italian concerto, BWV 971
Prelude and Fugue in E Major from Well-Tempered Clavier Book II
g-minor Violin Sonata - Presto
Prelude and Fugue in B-flat Major from Well-Tempered Clavier Book I
Performances by same musician(s)
Quintet No. 6 in G Minor
Sonata No. 24 in D minor
Chromatic Fantasy and Fugue in d minor, BWV 903
Toccata and Fugue in d minor, BWV 565
Sonata in c minor, K. 129
Suite from Dido and Aeneas
Sonata No. 2 in E-flat Major
Sonata in C Major, K. 513
Il Pianto di Maria
Sonata in C Major, Op. 5, No. 3
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