Larghetto Affettuoso, Allegro, Largo e piano, Allegro
Johann Sebastian Bach and George Frideric Handel (we use this spelling in
honor of Handel's being a naturalized British subject in his maturity) both
made use of a synthesis of the French and the Italian styles—in fact, this
synthesis is a characteristic of the Germans of the baroque era. Added to the
native German musical language's innate richness of harmony and counterpoint,
it literally defines the styles of these two giants of the late baroque.
In 1740, Handel published "Six Grand Concertos in
7 Parts, op. 6," of which we hear tonight the fourth in A Minor. While
Handel used French dance types in his music for the theatre, in this concerto
we hear mostly the legacy of Corelli, whom Handel had met and worked with when
in Rome in the early years of the eighteenth century. The work was finished on
the eighth of October of 1739 and was printed by subscription—the subscribers
included members of the royal family and many prominent members of the English
nobility. The concertos of op. 6 are considered to be among the finest of
eighteenth-century ensemble music, on a par with the Brandenburg Concertos of
Bach. Like the Brandenburgs, the concertos of op. 6 are so diverse in plan as
to resist any pattern except that of extremely high quality. David Schrader
Classical Music | Ensemble Music
George Frideric Handel
Concerto Grosso in a minor
PlayRecorded on 05/24/2007, uploaded on 09/24/2010
Musician's or Publisher's Notes
Concerto Grosso in a minor George Frideric Handel
Larghetto Affettuoso, Allegro, Largo e piano, AllegroJohann Sebastian Bach and George Frideric Handel (we use this spelling in honor of Handel's being a naturalized British subject in his maturity) both made use of a synthesis of the French and the Italian styles—in fact, this synthesis is a characteristic of the Germans of the baroque era. Added to the native German musical language's innate richness of harmony and counterpoint, it literally defines the styles of these two giants of the late baroque.
In 1740, Handel published "Six Grand Concertos in 7 Parts, op. 6," of which we hear tonight the fourth in A Minor. While Handel used French dance types in his music for the theatre, in this concerto we hear mostly the legacy of Corelli, whom Handel had met and worked with when in Rome in the early years of the eighteenth century. The work was finished on the eighth of October of 1739 and was printed by subscription—the subscribers included members of the royal family and many prominent members of the English nobility. The concertos of op. 6 are considered to be among the finest of eighteenth-century ensemble music, on a par with the Brandenburg Concertos of Bach. Like the Brandenburgs, the concertos of op. 6 are so diverse in plan as to resist any pattern except that of extremely high quality. David SchraderMore music by George Frideric Handel
Concerto Grosso Op.6 no. 10 in d minor, Allegro Moderato
Concerto Grosso Op.6 no. 10 in d minor HWV 328
Concerto in B-flat Major for Guitar and Strings
Sonata in G minor
Sonata opus 1 no.12 Adagio
Chaconne in G Major, G 229
Lucrezia, a cantata
Presto
La Resurrezione, excerpts
Arm, Arm Ye Brave
Performances by same musician(s)
Suite from Bourgeois gentillomme
Suite from Les Indes Galantes
Harpsichord Concerto in d minor
Orchestral Suite No. 2 in b minor
Trio Sonata in d minor "La follia" Op. 1 No. 12
Cello Sonata in B-flat Major
Aria Sopra "La Bergamesca"
Concerto No. 2 in B-flat Major
Concerto a cinque, Op. 2 No. 4
Sinfonia Dall' oratorio Il Giosuè
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