Paganini's caprices are, alongside the Bach Sonatas and Partitas, the foundation of the modern solo violin repertoire. In adapting these masterworks, Szymanowski generally leaves the violin part almost untouched, using the ingenious piano part to give a completely new meaning to each caprice, especially in the 20th where an originally sweet and unassuming melody becomes eerily haunting. He also finds a way to intensify the trio section's rhythmic and harmonic tension through fantastic use of the piano's register and chordal capacities.Brendan Conway
Classical Music | Violin Music
Karol Szymanowski
Paganini Caprice No. 20 for Violin and Piano
PlayRecorded on 02/20/2013, uploaded on 07/21/2013
Musician's or Publisher's Notes
Paganini's caprices are, alongside the Bach Sonatas and Partitas, the foundation of the modern solo violin repertoire. In adapting these masterworks, Szymanowski generally leaves the violin part almost untouched, using the ingenious piano part to give a completely new meaning to each caprice, especially in the 20th where an originally sweet and unassuming melody becomes eerily haunting. He also finds a way to intensify the trio section's rhythmic and harmonic tension through fantastic use of the piano's register and chordal capacities. Brendan Conway
More music by Karol Szymanowski
The ill-tempered starling (Nikczemny szpak)
Violin Concerto No. 1, Op. 35
Etude Op. 4 No. 1
Notturno and Tarantella, Op. 28
Mazurka No. 2, Op. 50
Saint Christina (Swieta Krystyna)
Fantasy in C Major, Op.14
Notturno and Tarantella, Op. 28
Danse Paysanne from Harnasie
Violin Concerto No. 1, Op. 35
Performances by same musician(s)
Tzigane
Romance for Violin No. 1 in G Major, Op. 40
Violin Sonata, FP 119
Introduction and Tarantella, Op. 43
Violin Sonata No. 2 in D Major, Op. 94 bis
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