Maurice Ravel was still a student at the Paris Conservatoire when he composed Jeux d’eau in 1901, which he dedicated to his friend and teacher Gabriel Fauré. Ravel’s student days at the Conservatoire were less than ideal. Despite his talent and skill at composition, he failed to win any the school’s prizes, including five attempts at the prestigious Prix de Rome, the last of which resulted in Ravel leaving the school and engulfing it in a scandal that led to Fauré replacing Théodore Dubois as its director. Amid these struggles, however, Ravel produced the finest of his early compositions. The String Quartet in F—a modern staple of the repertoire and instigator of Ravel’s departure—the Pavane pour une infante défunte, the song cycle Shéhérazade, and the above mentioned work for piano.
Meaning “Play of Water” or “Fountains,” Jeux d’eau became not only a spring of inspiration for Ravel’s later music but one for other composers as well. Channeling the florid style of Franz Liszt, quite possibly that seen in his similarly named Les jeux d’eau à la Villa d’Este, Ravel unveiled a degree of tone-painting that so clearly evoked the sound and flow of water itself that even Claude Debussy was inspired by the brilliancy of Ravel’s writing, and was quick to incorporate it into his own music.
Ravel himself described Jeux d’eau in this manner: “It is at the origin of the pianistic novelties which one would notice in my work. This piece, inspired by the noise of water and by the musical sounds which make one hear the sprays water, the cascades, and the brooks, is based on two motives in the manner of the movement of a sonata—without, however, subjecting itself to the classical tonal plan.” Indeed, among the rippling and shimmering tones, one can discern the presence of two distinct themes and there is perhaps a semblance of sonata form in its structure. Yet, the form is too fluid to ever be reduced into the Classical formula, but instead rests upon nothing but the dichotomous principle of the sonata. Joseph DuBose
Istituto Europeo di Musica. Programmazione del sabato e della Domenica. Nell'antica Idea della filodiffusione di Musica Classica
Istituto Europeo di Musica. Piano Department Maurice Ravel, jeux d'eau Sviatoslav Richter, piano September 26 , 1964 CBC Telecast
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly european).
Classical Music | Piano Music
Maurice Ravel
Jeux d'eau Play
Recorded on 03/10/2012, uploaded on 03/10/2012
Musician's or Publisher's Notes
Maurice Ravel was still a student at the Paris Conservatoire when he composed Jeux d’eau in 1901, which he dedicated to his friend and teacher Gabriel Fauré. Ravel’s student days at the Conservatoire were less than ideal. Despite his talent and skill at composition, he failed to win any the school’s prizes, including five attempts at the prestigious Prix de Rome, the last of which resulted in Ravel leaving the school and engulfing it in a scandal that led to Fauré replacing Théodore Dubois as its director. Amid these struggles, however, Ravel produced the finest of his early compositions. The String Quartet in F—a modern staple of the repertoire and instigator of Ravel’s departure—the Pavane pour une infante défunte, the song cycle Shéhérazade, and the above mentioned work for piano.
Meaning “Play of Water” or “Fountains,” Jeux d’eau became not only a spring of inspiration for Ravel’s later music but one for other composers as well. Channeling the florid style of Franz Liszt, quite possibly that seen in his similarly named Les jeux d’eau à la Villa d’Este, Ravel unveiled a degree of tone-painting that so clearly evoked the sound and flow of water itself that even Claude Debussy was inspired by the brilliancy of Ravel’s writing, and was quick to incorporate it into his own music.
Ravel himself described Jeux d’eau in this manner: “It is at the origin of the pianistic novelties which one would notice in my work. This piece, inspired by the noise of water and by the musical sounds which make one hear the sprays water, the cascades, and the brooks, is based on two motives in the manner of the movement of a sonata—without, however, subjecting itself to the classical tonal plan.” Indeed, among the rippling and shimmering tones, one can discern the presence of two distinct themes and there is perhaps a semblance of sonata form in its structure. Yet, the form is too fluid to ever be reduced into the Classical formula, but instead rests upon nothing but the dichotomous principle of the sonata. Joseph DuBose
Istituto Europeo di Musica. Programmazione del sabato e della Domenica. Nell'antica Idea della filodiffusione di Musica Classica
Istituto Europeo di Musica. Piano Department
Maurice Ravel, jeux d'eau
Sviatoslav Richter, piano
September 26 , 1964 CBC Telecast
The music published in our channel is exclusively dedicated to divulgation purposes and not commercial. This within a program shared to study classic educational music of the 1900's (mostly european).
More music by Maurice Ravel
La Valse
Berceuse sur le nom de Gabriel Faure
Noctuelles from Miroirs
Daphnis and Chloé, Suite No. 2
Une barque sur l'océan, from Miroirs
Alborada del Gracioso, from Miroirs
Pièce en Forme de Habanera
Cinq Mélodies Populaires Grecques
Rhapsodie espagnole
Concerto No. 2 in D Major for Piano and Orchestra
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