Of Bach’s tremendous compositional output, only a handful of
his works were published during his lifetime. A significant portion is taken up
by the collection of works published in the four volumes of the Clavier-Übung (“Keyboard Practice”)
between 1726 and 1741.
One such work in this collection is the Concerto after the Italian style, better known today as simply the Italian Concerto. It was published in
1735 alongside the Overture in the French
Style as part of Clavier-Übung II.
Since then, it has become one of Bach’s most popular works for keyboard and is
often performed on both harpsichord and piano.
Though called a “concerto,” the work is for harpsichord
alone. To achieve the effect of contrasting instrumental groups, which is the
crucial element of any concerto, Bach employs the forte and piano manuals
of the two-manual harpsichord. Incidentally, the ItalianConcerto is one
of only a few of Bach’s composition that specifically call for the two-manual
instrument—the others being its companion, the French Overture, and the Goldberg
Variations.
The three-movement concerto is in the key of F major. The
outer movements, both in lively duple meters and ritornello style, frame a somber arioso movement in D minor. Joseph DuBose
This recording is part of Elena Kuschnerova's all-Bach recital that was released on ORFEO in 2001. Rosette in Penguin Guide 2003/04
Classical Music | Piano Music
Johann Sebastian Bach
Italian concerto, BWV 971
PlayRecorded on 03/22/2000, uploaded on 02/18/2010
Musician's or Publisher's Notes
Italian Concerto, BWV 971 Johann Sebastian Bach
Of Bach’s tremendous compositional output, only a handful of his works were published during his lifetime. A significant portion is taken up by the collection of works published in the four volumes of the Clavier-Übung (“Keyboard Practice”) between 1726 and 1741.
One such work in this collection is the Concerto after the Italian style, better known today as simply the Italian Concerto. It was published in 1735 alongside the Overture in the French Style as part of Clavier-Übung II. Since then, it has become one of Bach’s most popular works for keyboard and is often performed on both harpsichord and piano.
Though called a “concerto,” the work is for harpsichord alone. To achieve the effect of contrasting instrumental groups, which is the crucial element of any concerto, Bach employs the forte and piano manuals of the two-manual harpsichord. Incidentally, the Italian Concerto is one of only a few of Bach’s composition that specifically call for the two-manual instrument—the others being its companion, the French Overture, and the Goldberg Variations.
The three-movement concerto is in the key of F major. The outer movements, both in lively duple meters and ritornello style, frame a somber arioso movement in D minor. Joseph DuBose
This recording is part of Elena Kuschnerova's all-Bach recital that was released on ORFEO in 2001. Rosette in Penguin Guide 2003/04
More music by Johann Sebastian Bach
French Suite No 6 in E major BWV 817
Prelude in b minor
Prelude and Fugue in A minor BWV 894
Nun komm’ der Heiden Heiland, BWV 659
Well Tempered Clavier - Prelude 1
English Suite No. 2 in a minor, BWV 807
Italian concerto, BWV 971
Prelude and Fugue in E Major from Well-Tempered Clavier Book II
g-minor Violin Sonata - Presto
Prelude and Fugue in B-flat Major from Well-Tempered Clavier Book I
Performances by same musician(s)
Intermezzo No. 2 in A Major, from Six Piano Pieces, Op. 118
Etude No. 12 in d-sharp minor, Op. 8
Nocturne in D-flat Major, Op. 27, No. 2
Scherzo - Sonatensatz for violin & piano
March from the opera "Love to the three oranges"
Prelude and Fugue in c minor (WTC I) BWV 847
Prelude and Theme with Variations (1982)
Toccata in e minor BWV 914
7 Romantic Ballades Op.2 bis - 4-The Spectres
Minuet
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