Sometimes confused with his southern counterpart, Franz
Anton Schubert (also known as François Schubert) was born in 1808 and spent
much of his life in the German city of Dresden. The son of a church composer,
François himself became a violinist and composer. During his long life (he
lived until 1878), he composed numerous concert pieces and etudes, as well as
chamber music. Today, however, he is principally known for a single piece—L'Abeille for violin and piano.
L'Abeille ("The Bee") is a moto perpetuo much like
Tchaikovsky's later Flight of the Bumble Bee. It was published as part
of Schubert's Bagatelles op. 13, no. 9. In E minor and duple meter, the
violin part is a persistent stream of triplet sixteenth notes. The opening
section mainly centers on semitone oscillations in the violin, which are
mimicked by the piano accompaniment. As the piece progresses, the oscillations
become wider and by the time the first section closes in the key of the
relative major, the violin is mostly moving in arpeggios. The brief middle
section begins over a pedal tone in D. The violin melody, consisting of
arpeggios followed by repeated tones, climbs gradually up from E-flat to B
natural, only to fall back down to the tonic E. The opening section returns but
this time remains firmly grounded in the key of E minor. A brilliant ascending
tonic arpeggio and two pianissimo chords bring the piece to a close.Joseph DuBose
Classical Music | Cello Music
François Schubert
The Bee for cello and piano
PlayRecorded on 09/28/2010, uploaded on 09/28/2010
Musician's or Publisher's Notes
Sometimes confused with his southern counterpart, Franz Anton Schubert (also known as François Schubert) was born in 1808 and spent much of his life in the German city of Dresden. The son of a church composer, François himself became a violinist and composer. During his long life (he lived until 1878), he composed numerous concert pieces and etudes, as well as chamber music. Today, however, he is principally known for a single piece—L'Abeille for violin and piano.
L'Abeille ("The Bee") is a moto perpetuo much like Tchaikovsky's later Flight of the Bumble Bee. It was published as part of Schubert's Bagatelles op. 13, no. 9. In E minor and duple meter, the violin part is a persistent stream of triplet sixteenth notes. The opening section mainly centers on semitone oscillations in the violin, which are mimicked by the piano accompaniment. As the piece progresses, the oscillations become wider and by the time the first section closes in the key of the relative major, the violin is mostly moving in arpeggios. The brief middle section begins over a pedal tone in D. The violin melody, consisting of arpeggios followed by repeated tones, climbs gradually up from E-flat to B natural, only to fall back down to the tonic E. The opening section returns but this time remains firmly grounded in the key of E minor. A brilliant ascending tonic arpeggio and two pianissimo chords bring the piece to a close. Joseph DuBose
Performances by same musician(s)
Sonata for cello and piano in g minor, Op 5, No. 2
Fulcanelli: Sinfonia concertante for cello and symphony orchestra Epiloque
The Swan
Four Seasons for cello and orchestra: Summer
Sonata for cello and piano in F Major, Op 5, No. 1
Cello Sonata No. 3 in A Major, Op. 69
Sonata in C Major, Op. 102, No. 1 for Piano and Cello
Sonata for Violin and Piano in A Major (transcribed for cello)
Czardas for cello and piano, world première
Rondo for cello and piano Op 94
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