Suite Italienne, for Cello and Piano Igor Stravinsky, transcribed by Gregor Piatigorsky
Suite Italienne was derived from Stravinsky’s luminous score for Pulcinella, the 1920 ballet based on works of Giovanni Battista Pergolesi (1710–1736). The ballet became a success, and its style led the way to a new attitude about the relationship between 20th-century music and that of earlier eras – a trend that became known as “Neo-Classicism.” In 1922, Stravinsky extracted an orchestral suite from Pulcinella. Three years later, he arranged five of its numbers for violin and piano, and with the help of the virtuoso Gregor Piatigorsky in 1932, he transcribed four of the same movements for cello and piano. The following year, Stravinsky reworked the 1925 violin suite with Dushkin’s advice, added a sixth movement (the Scherzino), and issued it as the Suite Italienne.
The plot of Pulcinella was based on an 18th- century manuscript of commedia dell’arte plays that Sergei Diaghilev discovered in Naples. Though the Suite Italienne is a sort of vest-pocket version of the original ballet, it fully captures the wit, insouciance, and joie de vivre that place this music among the most delicious of all Stravinsky’s creations. Notes by Dr. Richard E. Rodda
Classical Music | Cello Music
Igor Stravinsky
Suite Italienne for Cello and Piano
PlayRecorded on 06/07/2016, uploaded on 06/07/2016
Musician's or Publisher's Notes
Suite Italienne, for Cello and Piano Igor Stravinsky, transcribed by Gregor Piatigorsky
Suite Italienne was derived from Stravinsky’s luminous score for Pulcinella, the 1920 ballet based on works of Giovanni Battista Pergolesi (1710–1736). The ballet became a success, and its style led the way to a new attitude about the relationship between 20th-century music and that of earlier eras – a trend that became known as “Neo-Classicism.” In 1922, Stravinsky extracted an orchestral suite from Pulcinella. Three years later, he arranged five of its numbers for violin and piano, and with the help of the virtuoso Gregor Piatigorsky in 1932, he transcribed four of the same movements for cello and piano. The following year, Stravinsky reworked the 1925 violin suite with Dushkin’s advice, added a sixth movement (the Scherzino), and issued it as the Suite Italienne.
The plot of Pulcinella was based on an 18th- century manuscript of commedia dell’arte plays that Sergei Diaghilev discovered in Naples. Though the Suite Italienne is a sort of vest-pocket version of the original ballet, it fully captures the wit, insouciance, and joie de vivre that place this music among the most delicious of all Stravinsky’s creations. Notes by Dr. Richard E. Rodda
More music by Igor Stravinsky
Danse Russe, from Petrushka
Apollo
Rite of Spring
Firebird Suite (arr. Agosti)
Danse Russe and The Shrovetide Fair, from Petrushka
Berceuse, from "The Firebird"
Five Easy Pieces
Petrushka (four tableaux)
Suite from Firebird
The Shrovetide Fair from Petrouchka
Performances by same musician(s)
String Quartet No. 1, Sz. 40
String Trio in E-flat Major, Op. 3
Piano Quartet in E-Flat Major, Op. 87
Capriccio for Cello and Piano
Introduction et polonaise brillante, Op. 3
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