Listeners' Comments
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In the vain of Charles Ives, a bit less dissonant, but certainly in the same vain.
Submitted by wwjdwithca on Tue, 03/23/2010 - 11:29.
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Ugh
Submitted by nschott on Sat, 08/14/2010 - 09:04.
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With a knick knack paddy whack...cute!
Submitted by kittykaz on Fri, 05/04/2012 - 12:35.
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Classical Music | Orchestral Music
Gary Noland
"Septet" for clarinet, alto sax, French horn, two violins, double bass, and piano (Op. 43)
PlayRecorded on 07/20/2002, uploaded on 06/28/2009
Musician's or Publisher's Notes
This work was commissioned jointly by the Oregon Music Teachers Association and Music Teachers National Association in 1999.
More music by Gary Noland
"Russell Street Rag" for piano (Op. 5)
"The Mad Ventures of Marginman" (Op. 72, No. 16) from "24 Postludes" for piano
"Espresso Wagon" from "24 Interludes" for piano (Op. 71)
Liebesschmerz Fuge for piano (Op. 95)
"Le Charmeuse" (Op. 72, No. 21) from "24 Postludes" for piano
"Deformed Fugue" for harpsichord (Op. 17)
"Honesty's the Best Fallacy" (Op. 72, No. 14) from "24 Postludes" for piano
"Misremembrances: in memoriam George Rochberg" (Op. 72, No. 23) from "24 Postludes" for piano
"Boykh Vaitek" (Op. 72, No. 20) from "24 Postludes" for piano
"Gillygalay" (Op. 71, No. 2) from "24 Postludes" for piano
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