Sonata in B-flat major, Op. 30, D. 617Franz
Schubert
Schubert's Sonata in B-flat Major, composed in the summer of 1818, is a
delightful, elegant original four-hand work. Even though a miniature
compared to the later four-movement Sonata in C Major, the "Grand
Duo", the piece displays the 21 year-old Schubert as already a mature
composer with a unique compositional language. In this Sonata, the
listener is immediately aware of "Schubertian" traits: cantabile melodies that never end, rigid
yet organized sonata-form structure, dedicated repetition and restatement of
thematic material, sudden shifts of unexpected modulations, and a love of
whimsical and improvisatory elements.
It is Schubert's love for improvisation that captures this sonata's primary
character. The first movement, Allegro
moderato, begins almost like an impromptu; an unexpected splash of sound
followed by falling 16th notes serves as an introduction and leads the listener
to the exposition. The movement unfolds in perfect sonata form; luscious
melodies float on top of continuous triplets, giving the overall movement a
feeling of gentle yet insistent forward motion. The second movement, Andante con moto, begins as a somber
chorale in D minor, then after a yearning lyrical section (with a stubborn and
consistent B-flat pedal point) the chorale reappears in D Major, this time
decorated by "1st violin-like" passages in the upper register.
The last movement, a dance-like Allegretto
in 6/8, exudes a relaxed pastoral joy. A tumultuous but brief storm
interrupts the picture-perfect scenery, after which the movement blossoms to
its quiet, reposed conclusion. Michael Cansfield
Classical Music | Music for Duo
Franz Schubert
Sonata in B-flat Major, Op. 30, D617
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Recorded on 04/03/2007, uploaded on 01/20/2009
Musician's or Publisher's Notes
Sonata in B-flat major, Op. 30, D. 617 Franz Schubert
Schubert's Sonata in B-flat Major, composed in the summer of 1818, is a delightful, elegant original four-hand work. Even though a miniature compared to the later four-movement Sonata in C Major, the "Grand Duo", the piece displays the 21 year-old Schubert as already a mature composer with a unique compositional language. In this Sonata, the listener is immediately aware of "Schubertian" traits: cantabile melodies that never end, rigid yet organized sonata-form structure, dedicated repetition and restatement of thematic material, sudden shifts of unexpected modulations, and a love of whimsical and improvisatory elements.
It is Schubert's love for improvisation that captures this sonata's primary character. The first movement, Allegro moderato, begins almost like an impromptu; an unexpected splash of sound followed by falling 16th notes serves as an introduction and leads the listener to the exposition. The movement unfolds in perfect sonata form; luscious melodies float on top of continuous triplets, giving the overall movement a feeling of gentle yet insistent forward motion. The second movement, Andante con moto, begins as a somber chorale in D minor, then after a yearning lyrical section (with a stubborn and consistent B-flat pedal point) the chorale reappears in D Major, this time decorated by "1st violin-like" passages in the upper register. The last movement, a dance-like Allegretto in 6/8, exudes a relaxed pastoral joy. A tumultuous but brief storm interrupts the picture-perfect scenery, after which the movement blossoms to its quiet, reposed conclusion. Michael Cansfield
More music by Franz Schubert
Der Wanderer an den Mond
Tränenregen, from Die schöne Müllerin
Moment musicaux, D. 780 No. 4
Erlkönig
Piano Sonata D. 958, Finale: Allegro
Impromptu Op. 90 No. 2 in E-flat Major, D. 899
Notturno
Impromptu Op 90 N° 3
Standchen, Lieder for Flute and Piano
Impromptu No. 2 in E-flat, Op. Posth. D.946
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Two Waltzes from Op. 39
Corrente III (arr. Kurtág)
Spanish Dance No. 2 from "La Vida breve"
Overture from "A Midsummer Night's Dream"
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