Sonata in E minor for Flute and Basso Continuo, BWV 1034 Johann
Sebastian Bach
Like the E Major Sonata that follows, the Sonata in E minor
for Flute and Basso Continuo is dedicated to flutist Michael Gabriel
Fredersdorff, an employee of Frederick the Great who was also an accomplished
flute player. However, the manuscript with this dedication was not prepared by
Bach himself. Furthermore, there exists an early copy of the sonata without any
indication of a dedication. It is possible, then, that either the dedication
was not made by Bach, or he merely revived an older work for Fredersdorff’s
use, appending a dedication as a formality.
Regardless, the Sonata is written with a basso continuo accompaniment in place of
an obbligato keyboard part.Typically,
the basso continuo is performed by a harpsichord
and another instrument capable of sustaining the bass line, in most cases a
string instrument such as a cello or viola da gamba, but a bassoon is not
uncommon.
The sonata is constructed in the Baroque sonata di chiesa (“church sonata”)
format, that is, a slow-fast-slow-fast order of movements. Though marked Adagio, the first movement, with its
consistent duple coupling of sixteenth-notes, has a persistent forward momentum
though with a touch of sorrow. The following Allegro begins with lilting melody in the flute set over a
descending bass line. Following this, the flute indulges in rapid figurations
while the bass takes up parts of the melody. The Andante third movement begins with a six measure introduction for
the continuo. In G major, the calming opening measures lead to a tender melody
in the flute. The continuo departs little from its simple bass line, leaving
the flute free to sing its enchanting song. The Allegro last movement is energetic and dark. Soloist and continuo
engage in imitations and full-fledged counterpoint throughout the movement.
Finally, the movement comes to a flashy close with a final statement of the
melody. Joseph DuBose
_______________________________________________
Sonata in e minor, BWV 1034
Adagio ma non tanto --
Allegro --
Andante --
Allegro
Johann
Sebastian Bach wrote the e minor sonata for the wooden transverse flute, which
in the early eighteenth century began to replace the recorder as the dominant
wind instrument. Bach composed the sonata in Leipzig, where he spent the last
twenty-seven years of his life as cantor of Saint Thomas's Church. Flowing
phrases in the flute part over a gently moving bass pervade the first and third
movements. The contrapuntal interplay between the flute and keyboard, evident
in the virtuosic second and fourth movements, is a hallmark of Bach's style
during his latter years. K. DeJongh
Classical Music | Music for Flute
Johann Sebastian Bach
Flute Sonata in e minor, BWV 1034
PlayRecorded on 06/09/2004, uploaded on 04/29/2009
Musician's or Publisher's Notes
Sonata in E minor for Flute and Basso Continuo, BWV 1034 Johann Sebastian Bach
Like the E Major Sonata that follows, the Sonata in E minor for Flute and Basso Continuo is dedicated to flutist Michael Gabriel Fredersdorff, an employee of Frederick the Great who was also an accomplished flute player. However, the manuscript with this dedication was not prepared by Bach himself. Furthermore, there exists an early copy of the sonata without any indication of a dedication. It is possible, then, that either the dedication was not made by Bach, or he merely revived an older work for Fredersdorff’s use, appending a dedication as a formality.
Regardless, the Sonata is written with a basso continuo accompaniment in place of an obbligato keyboard part. Typically, the basso continuo is performed by a harpsichord and another instrument capable of sustaining the bass line, in most cases a string instrument such as a cello or viola da gamba, but a bassoon is not uncommon.
The sonata is constructed in the Baroque sonata di chiesa (“church sonata”) format, that is, a slow-fast-slow-fast order of movements. Though marked Adagio, the first movement, with its consistent duple coupling of sixteenth-notes, has a persistent forward momentum though with a touch of sorrow. The following Allegro begins with lilting melody in the flute set over a descending bass line. Following this, the flute indulges in rapid figurations while the bass takes up parts of the melody. The Andante third movement begins with a six measure introduction for the continuo. In G major, the calming opening measures lead to a tender melody in the flute. The continuo departs little from its simple bass line, leaving the flute free to sing its enchanting song. The Allegro last movement is energetic and dark. Soloist and continuo engage in imitations and full-fledged counterpoint throughout the movement. Finally, the movement comes to a flashy close with a final statement of the melody. Joseph DuBose
_______________________________________________
Sonata in e minor, BWV 1034
Adagio ma non tanto -- Allegro -- Andante -- Allegro
Johann Sebastian Bach wrote the e minor sonata for the wooden transverse flute, which in the early eighteenth century began to replace the recorder as the dominant wind instrument. Bach composed the sonata in Leipzig, where he spent the last twenty-seven years of his life as cantor of Saint Thomas's Church. Flowing phrases in the flute part over a gently moving bass pervade the first and third movements. The contrapuntal interplay between the flute and keyboard, evident in the virtuosic second and fourth movements, is a hallmark of Bach's style during his latter years. K. DeJongh
More music by Johann Sebastian Bach
French Suite No 6 in E major BWV 817
Prelude in b minor
Prelude and Fugue in A minor BWV 894
Nun komm’ der Heiden Heiland, BWV 659
English Suite No. 2 in a minor, BWV 807
Well Tempered Clavier - Prelude 1
Prelude and Fugue in E Major from Well-Tempered Clavier Book II
Italian concerto, BWV 971
Prelude and Fugue in B flat minor, Well Tempered Piano Book 2
g-minor Violin Sonata - Presto
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