| Robert Schumann |
Sonata in g minor, Op. 22 |
01/23/2009 |
|
| Johannes Brahms |
Violin sonata No. 2 in A Major, Op. 100 |
12/15/2011 |
|
| Ludwig van Beethoven |
Violin Sonata No. 3 in E flat major, Op. 12 No. 3 |
10/12/2011 |
|
| Johannes Brahms |
Sonata No. 1 for Violin and Piano, Op. 78 in G Major |
01/03/2012 |
|
| Johannes Brahms |
Sonata for Piano and Viola Op. 120, No. 1 in f minor |
10/12/2011 |
|
| George Gershwin |
"It Ain't Necessarily So," from Porgy and Bess |
01/03/2012 |
|
| Wolfgang Amadeus Mozart |
Sonata No. 20 for Violin and Piano in C Major, K. 303 |
01/03/2012 |
|
| Robert Schumann |
Marchenbilder for viola and piano, Op. 113 |
12/20/2011 |
|
| Ludwig van Beethoven |
Sonata for Violin and Piano No. 8 in G Major, Op. 30, No. 3 |
10/13/2011 |
|
| Leoš Janáček |
Sonata for Violin and Piano |
11/22/2011 |
|
| Franz Schubert |
Sonata in A minor D. 821 (Arpeggione) |
12/08/2011 |
|
| Frédéric Chopin |
Ballade No.3 in A flat major Op.47 |
05/06/2011 |
|
| Claude Debussy |
Sonata for Violin and Piano |
09/27/2011 |
|
| Alban Berg |
Sonata Op. 1 |
05/06/2011 |
|
| Ludwig van Beethoven |
Sonata No. 13 Op. 27, No. 1 in E-flat Major, "Quasi una Fantasia" |
05/05/2011 |
|
| Leoš Janáček |
On an Overgrown Path I, Good night |
01/24/2009 |
|
| Leoš Janáček |
On an Overgrown Path I, My word stop |
01/18/2009 |
|
| Leoš Janáček |
On an Overgrown Path I, They chattered like swallows |
01/25/2009 |
|
| Leoš Janáček |
On an Overgrown Path I, The Virgin of Frydek |
01/08/2009 |
|
| Leoš Janáček |
On an Overgrown Path I, Come along with us |
01/24/2009 |
|
| Leoš Janáček |
On an Overgrown Path I, A blown-away leaf |
01/14/2009 |
|
| Leoš Janáček |
On an Overgrown Path I, Our evening |
01/18/2009 |
|
Ieva Jokubaviciute, Piano
Biography
Known for her deep musical and emotional commitment to a wide range of repertoire, Lithuanian pianist Ieva Jokubaviciute performs regularly for audiences in the US, Europe, and South America. Her ability to communicate the essential substance of a work, whether in recital, with orchestra, in chamber music, or in art song, has led critics to describe her as possessing "razor-sharp intelligence and wit" (The Washington Post) and as "elegant and engaging" (The Wall Street Journal). In 2006, she was honored as a recipient of a Borletti-Buitoni Trust Fellowship.
Over the last seasons, Ieva made her Chicago Symphony debut at the Ravinia Festival under the baton of James Conlon, her orchestral debut in Rio de Janeiro, Brazil, and her chamber music endeavors have brought her to stages around the world such as: London's Wigmore Hall, Carnegie Hall's Stern Auditorium, Lima, Peru, Panama City, Panama, and on national tours with Musicians from Marlboro. She has recently given solo recitals in New York City, Chicago, Boston, Vilnius, Lithuania, and at the Smithsonian Institution's Freer Gallery in Washington DC. After which, The Washington Post called her a "splendid colorist" and described her performance as 'magical tone-painting'.
In June of 2009, Ieva's piano trio—Trio Cavatina—won the Naumburg Chamber Music Competition and made its Carnegie Hall debut in May of 2010. This fall, Labor Records released Ieva's Alban Berg Tribute recordings of Berg's piano sonata, opus 2 songs, and previously unrecorded or unknown works written in tribute to Berg.
A much sought after chamber musician, she regularly appears at international music festivals including: Marlboro, Ravinia, Bard, Chesapeake Chamber Music, and Prussia Cove in Cornwall, England. Earning degrees from the Curtis Institute of Music and from Mannes College of Music, her principal teachers have been Seymour Lipkin and Richard Goode.