Allegro con moto; Andante
cantabile; Allegro giocoso
Dmitry
Borisovich Kabalevsky was born in St Petersburg in 1904. He studied at the
Moscow Conservatory, graduating in composition (1929) then piano (1930). As a composer, he found his mature style in
two works which achieved international success: the Second Symphony (1934),
championed by Arturo Toscanini and Malcolm Sargent; and his opera Colas
Breugnon (1938), which combines neo-Classicism and Russian folk-music to
dramatic effect.
For
solo piano, Kabalevsky wrote three sonatas, two briefer neo-classical
sonatinas, and twenty-four preludes.
The sonata heard today is the third, from 1946. The first movement offers two themes. A tense development section centers on the
first of these themes, after which the second is freely reprised on the way to
a coda that unexpectedly tapers off into silence. The slow movement is pervaded
by a calmly unfolding theme which is given a certain gravitas by its methodical
stepwise progression. The central section introduces a degree of emotional
anxiety which is softened by a subtly elaborated return of the main theme and
then thrown into relief by the inwardness of the coda. The finale presents an agile
theme that takes on greater character as it unfolds. The central section builds
real momentum, spilling over into a reprise of the initial idea and then a coda
that steers the work towards its hectic conclusion.
Classical Music | Piano Music
Dmitri Kabalevsky
Sonata in F Major Op. 46
PlayRecorded on 05/19/2010, uploaded on 08/27/2010
Musician's or Publisher's Notes
Sonata in F Major Op. 46 Dmitri Kabalevsky
Allegro con moto; Andante cantabile; Allegro giocoso
Dmitry Borisovich Kabalevsky was born in St Petersburg in 1904. He studied at the Moscow Conservatory, graduating in composition (1929) then piano (1930). As a composer, he found his mature style in two works which achieved international success: the Second Symphony (1934), championed by Arturo Toscanini and Malcolm Sargent; and his opera Colas Breugnon (1938), which combines neo-Classicism and Russian folk-music to dramatic effect.
For solo piano, Kabalevsky wrote three sonatas, two briefer neo-classical sonatinas, and twenty-four preludes. The sonata heard today is the third, from 1946. The first movement offers two themes. A tense development section centers on the first of these themes, after which the second is freely reprised on the way to a coda that unexpectedly tapers off into silence. The slow movement is pervaded by a calmly unfolding theme which is given a certain gravitas by its methodical stepwise progression. The central section introduces a degree of emotional anxiety which is softened by a subtly elaborated return of the main theme and then thrown into relief by the inwardness of the coda. The finale presents an agile theme that takes on greater character as it unfolds. The central section builds real momentum, spilling over into a reprise of the initial idea and then a coda that steers the work towards its hectic conclusion.
Gabriele Baldocci
More music by Dmitri Kabalevsky
The Key of the Kingdom
Improvisation, Op. 21
For want of a nail the horse-shoe was lost
Five little pigs
Prelude op. 5 nr. 1
Prelude op. 5 nr. 2
Prelude op. 5 nr. 3
Prelude op. 5 nr. 4
Performances by same musician(s)
Etude Op. 25, No. 10 in b minor
Ballade No. 1 in g minor, Op. 23
Liebestod
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