Sheep May Safely Graze Johann Sebastian Bach/ Egon Petri
Piano
virtuosi of the 19th and early 20th century used the genre of piano
transcription not only to showcase their astounding technique, but also as a
way of introducing audiences to new large orchestral works and operas as these
performances were something of a rarity for most people. With the development of the recording
industry, transcriptions became obsolete, and if they were ever played, it was
only as an encore. Luckily,
transcriptions are regaining popularity, and today's pianists are finally
taking a second look at these long neglected compositions.
The aria "Sheep may safely graze" comes from one
of the best loved of J. S. Bach's secular cantatas, the Hunt Cantata, composed on the occasion of Duke Christian's birthday. In this transcription, pianist Egon Petri
(1881-1962) masterfully and delicately preserves the transparency of Bach's
texture. This inconspicuous piano
transcription manages to preserve the sound of a chamber orchestra with the
abundance of the intertwining lines. Jie Chen
________________________________________
Was mir behagt, ist nur die muntre Jagd, BWV 208 (“Sheep May
Safely Graze”)Johann Sebastian Bach
Among the many sacred cantatas Bach composed, were several
of the secular sort. The most famous of these is the cantata Was mir behagt, ist nur die muntre Jagd, BWV
208 (“The lively hunt is all my heart’s desire”), often referred to as the Hunting Cantata. It was composed in 1713
for the 31st birthday for Duke Christian of Saxe-Weissenfels.
The text of the cantata calls on the characters of Greek and
Roman mythology to celebrate the Duke’s birthday. Diana, the Roman goddess of
the hunt, opens the cantata by praising the hunt. Later, Pan, the Greek god of
flocks and shepherds, joins and sings praise to the Duke with the words “A
prince is his own country’s Pan.” Following, Pan’s aria, Pales enters with a
recitative that leads to one of the most well-known of Bach’s arias. This soprano
aria, Schafe können sicher weiden,
known in English as “Sheep may safely graze,” is scored for two flutes with
continuo. It is widely known in its piano transcription form and the
Australian-born composer Percy Granger composed several pieces based on it as
well as a popular wind band arrangement. While the title of the aria is
innocent enough, its text praises benevolent despotism by comparing the people
to sheep in the pasture of the monarch. No doubt this was meant to appease the
Duke and does not necessarily reflect the sentiments of librettist or composer.
The remainder of the cantata proceeds in like fashion with the soloists continuing
on about the Duke. Two choral movements appear in the latter half of the work.
Incidentally, it has been speculated that an early version
of the first movement of the first Brandenburg Concerto served as an
introduction to this cantata. This assertion has never been proven, though an
instrumental introduction is sometimes added in modern recordings. Joseph DuBose
Classical Music | Piano Music
Johann Sebastian Bach
Sheep May Safely Graze
PlayRecorded on 06/14/2005, uploaded on 01/09/2009
Musician's or Publisher's Notes
Sheep May Safely Graze Johann Sebastian Bach/ Egon Petri
Piano virtuosi of the 19th and early 20th century used the genre of piano transcription not only to showcase their astounding technique, but also as a way of introducing audiences to new large orchestral works and operas as these performances were something of a rarity for most people. With the development of the recording industry, transcriptions became obsolete, and if they were ever played, it was only as an encore. Luckily, transcriptions are regaining popularity, and today's pianists are finally taking a second look at these long neglected compositions.
The aria "Sheep may safely graze" comes from one of the best loved of J. S. Bach's secular cantatas, the Hunt Cantata, composed on the occasion of Duke Christian's birthday. In this transcription, pianist Egon Petri (1881-1962) masterfully and delicately preserves the transparency of Bach's texture. This inconspicuous piano transcription manages to preserve the sound of a chamber orchestra with the abundance of the intertwining lines. Jie Chen
________________________________________
Was mir behagt, ist nur die muntre Jagd, BWV 208 (“Sheep May Safely Graze”) Johann Sebastian Bach
Among the many sacred cantatas Bach composed, were several of the secular sort. The most famous of these is the cantata Was mir behagt, ist nur die muntre Jagd, BWV 208 (“The lively hunt is all my heart’s desire”), often referred to as the Hunting Cantata. It was composed in 1713 for the 31st birthday for Duke Christian of Saxe-Weissenfels.
The text of the cantata calls on the characters of Greek and Roman mythology to celebrate the Duke’s birthday. Diana, the Roman goddess of the hunt, opens the cantata by praising the hunt. Later, Pan, the Greek god of flocks and shepherds, joins and sings praise to the Duke with the words “A prince is his own country’s Pan.” Following, Pan’s aria, Pales enters with a recitative that leads to one of the most well-known of Bach’s arias. This soprano aria, Schafe können sicher weiden, known in English as “Sheep may safely graze,” is scored for two flutes with continuo. It is widely known in its piano transcription form and the Australian-born composer Percy Granger composed several pieces based on it as well as a popular wind band arrangement. While the title of the aria is innocent enough, its text praises benevolent despotism by comparing the people to sheep in the pasture of the monarch. No doubt this was meant to appease the Duke and does not necessarily reflect the sentiments of librettist or composer. The remainder of the cantata proceeds in like fashion with the soloists continuing on about the Duke. Two choral movements appear in the latter half of the work.
Incidentally, it has been speculated that an early version of the first movement of the first Brandenburg Concerto served as an introduction to this cantata. This assertion has never been proven, though an instrumental introduction is sometimes added in modern recordings. Joseph DuBose
More music by Johann Sebastian Bach
French Suite No 6 in E major BWV 817
Prelude in b minor
Nun komm’ der Heiden Heiland, BWV 659
Prelude and Fugue in A minor BWV 894
English Suite No. 2 in a minor, BWV 807
Well Tempered Clavier - Prelude 1
Prelude and Fugue in E Major from Well-Tempered Clavier Book II
Italian concerto, BWV 971
Prelude and Fugue in B flat minor, Well Tempered Piano Book 2
g-minor Violin Sonata - Presto
Performances by same musician(s)
Evocacion
Sonata in G Major, Kk 547 (L. 28)
Sonata in b minor, Kk 197 (L. 147)
Sonata in G Major, Kk 201 (L. 129)
Rondo K. 511
Los Requiebros, from Goyescas
Arabesques on the themes from the Blue Danube Waltzes
Chaconne from Partita in d minor, BWM 1004
Sonata No. 2 in g minor, Op. 22
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