Inspired by the folk songs sung by Venetian gondoliers, the barcarole carries with it the romantic imagery of the Venetian canals and of the city itself evoked by its rolling compound meter. Several composers of the 19th century, from Rossini to Fauré, composed barcaroles. Foremost among them, however, is a solitary specimen by Frédéric Chopin. Composed late in his life, during 1845-46, it is among his most popular compositions.
Three measures of dominant harmony open the piece followed by two more establishing the gentle rhythmic figure of the bass, as if rocking gently on the waves of the Venetian waterways. Over this flowing accompaniment sounds the piece’s entrancing cantabile melody. Within this melody, one can almost imagine the beautiful architecture of the city as it passes by or of two lovers floating peacefully down the river. Cast in the usual ternary form, in which Chopin showed superb mastery and imagination, the middle section, via a monophonic passage in the bass, shifts to the key of A major. This section becomes more harmonically adventurous, moving suddenly into the key of G-sharp major and F-sharp minor before returning the starting key again—all this, though, for the purpose of affecting a gradual increase in intensity from the episodes quiet beginning. A quasi-rhapsodic section closes the central portion of the piece leading to an embellished reprise of the opening. From the close of the reprise, the coda launches forth in its own passionate melody. Venturing through distant harmonies, it eventually comes to rest quietly on a figure heard earlier in the piece. Sweeping scales then carry the listener onward to the end and bare dominant and tonic octaves conclude the barcarole. Joseph DuBose
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Barcarolle in F-sharp Major, Op. 60 Frédéric Chopin
The Venetian barcarolles - gondoliers' songs - were well known to the many visitors to Venice as long ago as the eighteenth century, forming even then a collectable item for the curious. The characteristic rhythm, if not the title, found a place in some of the songs of Schubert and more overtly in three of Mendelssohn's Songs without Words. The most famous example of a Barcarolle for solo piano is Chopin's Opus 60 in F sharp major, written in 1845, the precursor of a set of thirteen written by Gabriel Faure towards the end of the century. Chopin's barcarolle features a sweepingly romantic and slightly wistful tone. Most of the technical figures for the right hand are thirds and sixths, while the left features some very long reaches over an octave.
Classical Music | Piano Music
Frédéric Chopin
Barcarolle in F-sharp Major, Op. 60
PlayRecorded on 10/20/2010, uploaded on 04/06/2011
Musician's or Publisher's Notes
Inspired by the folk songs sung by Venetian gondoliers, the barcarole carries with it the romantic imagery of the Venetian canals and of the city itself evoked by its rolling compound meter. Several composers of the 19th century, from Rossini to Fauré, composed barcaroles. Foremost among them, however, is a solitary specimen by Frédéric Chopin. Composed late in his life, during 1845-46, it is among his most popular compositions.
Three measures of dominant harmony open the piece followed by two more establishing the gentle rhythmic figure of the bass, as if rocking gently on the waves of the Venetian waterways. Over this flowing accompaniment sounds the piece’s entrancing cantabile melody. Within this melody, one can almost imagine the beautiful architecture of the city as it passes by or of two lovers floating peacefully down the river. Cast in the usual ternary form, in which Chopin showed superb mastery and imagination, the middle section, via a monophonic passage in the bass, shifts to the key of A major. This section becomes more harmonically adventurous, moving suddenly into the key of G-sharp major and F-sharp minor before returning the starting key again—all this, though, for the purpose of affecting a gradual increase in intensity from the episodes quiet beginning. A quasi-rhapsodic section closes the central portion of the piece leading to an embellished reprise of the opening. From the close of the reprise, the coda launches forth in its own passionate melody. Venturing through distant harmonies, it eventually comes to rest quietly on a figure heard earlier in the piece. Sweeping scales then carry the listener onward to the end and bare dominant and tonic octaves conclude the barcarole. Joseph DuBose
____________________________________________
Barcarolle in F-sharp Major, Op. 60 Frédéric Chopin
The Venetian barcarolles - gondoliers' songs - were well known to the many visitors to Venice as long ago as the eighteenth century, forming even then a collectable item for the curious. The characteristic rhythm, if not the title, found a place in some of the songs of Schubert and more overtly in three of Mendelssohn's Songs without Words. The most famous example of a Barcarolle for solo piano is Chopin's Opus 60 in F sharp major, written in 1845, the precursor of a set of thirteen written by Gabriel Faure towards the end of the century. Chopin's barcarolle features a sweepingly romantic and slightly wistful tone. Most of the technical figures for the right hand are thirds and sixths, while the left features some very long reaches over an octave.
More music by Frédéric Chopin
Mazurka Op. 33 No. 1 in g-sharp minor
Waltz Op 34 N° 2
Mazurka Op 67 N° 4
Nocturne in D-flat Major, Op. 27, No. 2
Prelude in F major, Op. 28, No. 23, Moderato
Fantaisie-Impromptu in C-sharp Minor, Op. 66
Impromptu no. 3 in G-flat major, op. 51
Barcarolle in F-sharp Major, Op. 60
Mazurka Op 63 N° 2
Fantasy, Op. 49
Performances by same musician(s)
Scherzo No. 3 in c-sharp minor, Op. 39
Sonata No. 7 in B-flat Major, Op. 83
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