Composed in 1837, the Largo in E-flat major is among the many pieces Chopin found unworthy to put before the greater musical public. It remained in manuscript form and, although he wished all his unpublished manuscripts to be destroyed after his death, it ultimately appeared in print in 1938. Proceeding at a steady, measured pace, full of grandeur, the Largo embodies some of the characteristics of a much more well-known work from the same year: the Funeral March that would eventually become the third movement of his Piano Sonata No. 2. Here, however, there is no sense of grief or mourning but only profound solemnity. The construction of the work is strikingly simple—two melodic phrases each repeated and varied only in dynamics. Even the harmonies venture little from the tonic key of E-flat major. Nevertheless, within such limited means, Chopin conveys his intention to the fullest. Indeed, there is not the emotionalism of many of his composition, but here it is not required. In the Largo, we find Chopin in a rare instance of heroism—simple and unassuming.Joseph DuBose
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Largo Frédéric Chopin
Chopin's piano music remains the most frequently played in history. He is one of the few universal masters, and has never suffered an eclipse. Arthur Rubinstein wrote: "...it is not Romantic music in the Byronic sense. It does not tell stories or paint pictures. It is expressive and personal, but still a pure art."
Almost every note he wrote is in the permanent repertoire, but this first group of short pieces on today's program (written from different periods of his career) is an exception-they have remained little-known. Ren Zhang
Classical Music | Piano Music
Frédéric Chopin
Largo
PlayRecorded on 09/25/2007, uploaded on 01/16/2009
Musician's or Publisher's Notes
Composed in 1837, the Largo in E-flat major is among the many pieces Chopin found unworthy to put before the greater musical public. It remained in manuscript form and, although he wished all his unpublished manuscripts to be destroyed after his death, it ultimately appeared in print in 1938. Proceeding at a steady, measured pace, full of grandeur, the Largo embodies some of the characteristics of a much more well-known work from the same year: the Funeral March that would eventually become the third movement of his Piano Sonata No. 2. Here, however, there is no sense of grief or mourning but only profound solemnity. The construction of the work is strikingly simple—two melodic phrases each repeated and varied only in dynamics. Even the harmonies venture little from the tonic key of E-flat major. Nevertheless, within such limited means, Chopin conveys his intention to the fullest. Indeed, there is not the emotionalism of many of his composition, but here it is not required. In the Largo, we find Chopin in a rare instance of heroism—simple and unassuming. Joseph DuBose
______________________________________________
Largo Frédéric Chopin
Chopin's piano music remains the most frequently played in history. He is one of the few universal masters, and has never suffered an eclipse. Arthur Rubinstein wrote: "...it is not Romantic music in the Byronic sense. It does not tell stories or paint pictures. It is expressive and personal, but still a pure art."
Almost every note he wrote is in the permanent repertoire, but this first group of short pieces on today's program (written from different periods of his career) is an exception-they have remained little-known. Ren Zhang
More music by Frédéric Chopin
Mazurka Op. 33 No. 1 in g-sharp minor
Nocturne in D-flat Major, Op. 27, No. 2
Prelude in F major, Op. 28, No. 23, Moderato
Waltz Op 34 N° 2
Mazurka Op 67 N° 4
Fantaisie-Impromptu in C-sharp Minor, Op. 66
Impromptu no. 3 in G-flat major, op. 51
Barcarolle in F-sharp Major, Op. 60
Mazurka Op 63 N° 2
Fantasy, Op. 49
Performances by same musician(s)
Cantabile
Invitation to the Dance
Sonata No. 2 in b-flat minor, Op. 35
Fugue in a minor
Feuille d'Album
Contredanse
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