Recorded in 1937. Transferred from a 78 rpm record.
Mazurka in A minor, op. posth. Frédéric Chopin
Nearly all of Chopin’s mazurkas were arranged and published in sets of four. Even following his death, his musical executor, Julian Fontana, maintained this order when he published eight of Chopin’s mazurkas that had previously only existed in manuscript. Two mazurkas, however, both in A minor, were published in separate anthologies. Each dating from 1840 and published the following year, the first of these mazurkas, No. 50, appeared in Six morceaux de salon and the second, No. 51, in Album de pianistes polonais.
The latter mazurka, distinguished from its companion by the name of its dedicatee, Émile Gaillard, begins with an exotic sounding melody rife with anxiety and tension—a melodic fourth scale degree clashes against a harmonic augmented fourth; the melody, in general, exhibits a tendency towards the dominant but each time the harmony pulls it undeniably back into the tonic. The whole melody is then repeated in the relative major, in which the minor third of the scale in the melody is set against its major counterpart in the harmony. Closing in A minor, the opening section leads into a more straightforward central episode in A major. Here, the harmonies are simpler and the melody rises and falls in waves. The opening section is reprised to round out the mazurka’s ternary form and brief coda, with a surprisingly new melodic idea under a prolonged trill on the tonic, closes the piece.Joseph DuBose
Classical Music | Piano Music
Frédéric Chopin
Mazurka in a minor, Op. Posth.
PlayRecorded on 12/31/1969, uploaded on 11/07/2009
Musician's or Publisher's Notes
Recorded in 1937. Transferred from a 78 rpm record.
Mazurka in A minor, op. posth. Frédéric Chopin
Nearly all of Chopin’s mazurkas were arranged and published in sets of four. Even following his death, his musical executor, Julian Fontana, maintained this order when he published eight of Chopin’s mazurkas that had previously only existed in manuscript. Two mazurkas, however, both in A minor, were published in separate anthologies. Each dating from 1840 and published the following year, the first of these mazurkas, No. 50, appeared in Six morceaux de salon and the second, No. 51, in Album de pianistes polonais.
The latter mazurka, distinguished from its companion by the name of its dedicatee, Émile Gaillard, begins with an exotic sounding melody rife with anxiety and tension—a melodic fourth scale degree clashes against a harmonic augmented fourth; the melody, in general, exhibits a tendency towards the dominant but each time the harmony pulls it undeniably back into the tonic. The whole melody is then repeated in the relative major, in which the minor third of the scale in the melody is set against its major counterpart in the harmony. Closing in A minor, the opening section leads into a more straightforward central episode in A major. Here, the harmonies are simpler and the melody rises and falls in waves. The opening section is reprised to round out the mazurka’s ternary form and brief coda, with a surprisingly new melodic idea under a prolonged trill on the tonic, closes the piece. Joseph DuBose
More music by Frédéric Chopin
Mazurka Op. 33 No. 1 in g-sharp minor
Prelude in F major, Op. 28, No. 23, Moderato
Waltz Op 34 N° 2
Mazurka Op 67 N° 4
Nocturne in D-flat Major, Op. 27, No. 2
Fantaisie-Impromptu in C-sharp Minor, Op. 66
Impromptu no. 3 in G-flat major, op. 51
Barcarolle in F-sharp Major, Op. 60
Mazurka Op 63 N° 2
Fantasy, Op. 49
Performances by same musician(s)
Mazurka Op. 67 No. 4, in a minor
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