Classical Music | Piano Music

Recorded on 10/03/2010, uploaded on 10/03/2010

Musician's or Publisher's Notes

Claude Debussy composed his two books of preludes during a remarkably brief period—the first, between December 1909 and February 1910; and the second, during roughly the same period in 1912-13. Though totaling twenty-four in number between the two books, Debussy’s preludes do not follow the precedent established by J. S. Bach’s ubiquitously known Well-Tempered Clavier (namely, a prelude in each of the major and minor keys) and imitated by several other composers, including Frédéric Chopin, Charles-Valentin Alkan, and Sergei Rachmaninoff. However, this does not mean that Debussy’s preludes are without order, and the relationships that can be found among them indicate that their published order was, to a certain extent, quite purposeful, yet also designed with a degree of inherent flexibility. Debussy, in keeping with the artistic philosophy of his day, also composed each prelude with specific scene or image in mind. Yet, to partially disguise these intents from the listener and to allow his audience to discover them of their own accord, Debussy craftily placed his titles at the end of each prelude. Performance practice of the preludes varies. Early performances, even by Debussy himself, established a precedent of grouping the prelude in threes or fours, allowing performers to pick those in which they perhaps are most comfortable. However, some performers also choose to perform each book in their entirety.

The last of Debussy’s 24 preludes, Feux d’artifice (“Fireworks”) is also the most technically challenging. It depicts a brilliant and spectacular fireworks display over Paris, and captures in tones the many furious streaks of rockets and their colorful explosions in the night sky. Sweeping runs, outlining two major thirds a semitone apart, open the prelude, perhaps depicting the anticipation of the audience, while isolated tones, like little points of light, sound in the upper register of the piano. The texture of the piece grows ever thicker and more complex and colors abound as the harmonies, figurations and dynamics change to give representation to the wondrous display and patterns of colored light. At its close, the visual display begins to slowly fade away. Over a tremolo in the bass a brief quote of La Marseillaise is heard before the last flashes of color.     Joseph DuBose

Giorgi Latsabidze Plays Debussy Preludes Book 2

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DVD/CD presented by Onward Entertainment, Wayne Adams, CharismARTist Foundation. A J.G. Weaver Documentary recorded LIVE in performance, November 2009, Los Angeles, CA.This is second documentary recorded live by the above, preceded by LATSABIDZE THE RECITAL, November 2008, Los Angeles, CA