I have always found Liszt’s piano music to be irresistible. He understood the piano better than anyone and was a true pioneer in the development of piano compositions. More importantly, he was the creator of solo piano recitals. His virtuosity, combined with his unequaled improvisation skills, allowed him to transcribe and recreate folk music he heard; and this was the origin of his Hungarian Rhapsodies. The twelfth rhapsody was dedicated to his compatriot Joseph Joachim, who was a violinist, conductor, composer, and a close colleague of Johannes Brahms. The episodic rhapsody features three main themes: one solemnly tragic, one light and bubbly, and one warm and charming. One of these themes was also used by Brahms in his fifteenth Hungarian Dance. Liszt showcases his inventive piano writing by creating the sounds of the bells, cimbalom, violins, and marching band as he imaginatively develops the principal themes of the work. It eventually builds to a celebratory climax where all three tunes are recapitulated simultaneously in the final statement.Wayne Weng
Classical Music | Piano Music
Franz Liszt
Hungarian Rhapsody no. 12 in c-sharp minor
PlayRecorded on 12/28/2016, uploaded on 12/28/2016
Musician's or Publisher's Notes
I have always found Liszt’s piano music to be irresistible. He understood the piano better than anyone and was a true pioneer in the development of piano compositions. More importantly, he was the creator of solo piano recitals. His virtuosity, combined with his unequaled improvisation skills, allowed him to transcribe and recreate folk music he heard; and this was the origin of his Hungarian Rhapsodies. The twelfth rhapsody was dedicated to his compatriot Joseph Joachim, who was a violinist, conductor, composer, and a close colleague of Johannes Brahms. The episodic rhapsody features three main themes: one solemnly tragic, one light and bubbly, and one warm and charming. One of these themes was also used by Brahms in his fifteenth Hungarian Dance. Liszt showcases his inventive piano writing by creating the sounds of the bells, cimbalom, violins, and marching band as he imaginatively develops the principal themes of the work. It eventually builds to a celebratory climax where all three tunes are recapitulated simultaneously in the final statement. Wayne Weng
More music by Franz Liszt
Un Sospiro, from Trois Etudes de concert, S. 144
Tarantelle di bravura, S 386
Orage (Storm) from Book I Années de Pèlerinage: Suisse
Consolation no. 4, S.172
Consolation N° 3
Vallée d'Obermann from Book I Années de Pèlerinage: Suisse
Orage (Storm) from Book I Années de Pèlerinage: Suisse
Paraphrase on Quartet from Verdi’s “Rigoletto”
Years of Pilgrimage, First Year: Switzerland
Romance oubliée
Performances by same musician(s)
Moment musicaux, D. 780 No. 4
Impromptu Op. 90 No. 3 in G-flat Major, D. 899
Impromptu Op. 90 No. 1 in c minor, D. 899
Hommage à Schubert, from Játékok
Fanfares, from Játékok
Capriccioso-luminoso, from Játékok
Play with Infinity, from Játékok
Kondor Rock (In the Manner of the Aging Liszt), from Játékok
Après une Lecture de Dante
Moment musicaux, D. 780 No. 1
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