In 1900, Maurice Ravel joined a group of young, like-minded musicians, artists and writer called Les Apaches. The group met regularly at the homes of Paul Sordes and Tristan Klingsor, and came to include such other prominent names as Igor Stravinsky and Manuel de Falla. Les Apaches, which obviously refers to the Native American tribe, also had the additional meaning of “hooligans” in French and was coined by Ricardo Viñes to describe the group as “artistic outcasts.” Viñes would premiere several of Ravel’s piano works, including his Miroirs, which the composer dedicated each of its five movements to a member of Les Apaches.
Miroirs was composed during 1904-05 and given its premiere in 1906. Meaning “Reflections,” the work demonstrates the development of Ravel’s technique as a composer of piano music, which had first leapt into maturity in his 1901 piece, Jeux d’eau. Ravel’s treatment of the vast possibilities of the piano was simultaneously inspired by the florid style of Franz Liszt and the most profound advancement in piano technique since that great virtuoso’s time. This style came to be a cornerstone of French Impressionism and even influenced Ravel’s older contemporary, Claude Debussy.
The second piece of Miroirs,“Oiseaux tristes” (“Sad Birds”), Ravel dedicated Viñes. It is a melancholy and doleful piece which Ravel described as "birds lost in the torpor of a dark forest during the hottest summer hours." The static and quiet triplet accompaniment that persists throughout much of the piece certainly evokes the stifling haze of summer. Above this we hear the melancholy birdsongs—some soft, others louder and penetrating. Much of the movement passes by quietly, making its melancholy ever more poignant, but a solitary rise to a forte creates a clamorous climax of birdsongs. The climax is fleeting, however, and the music quickly returns to its sad demeanor. A cadenza then precedes the movement’s somber close. Joseph DuBose
Classical Music | Piano Music
Maurice Ravel
Oiseaux tristes, from Miroirs
PlayRecorded on 05/06/1993, uploaded on 06/25/2011
Musician's or Publisher's Notes
In 1900, Maurice Ravel joined a group of young, like-minded musicians, artists and writer called Les Apaches. The group met regularly at the homes of Paul Sordes and Tristan Klingsor, and came to include such other prominent names as Igor Stravinsky and Manuel de Falla. Les Apaches, which obviously refers to the Native American tribe, also had the additional meaning of “hooligans” in French and was coined by Ricardo Viñes to describe the group as “artistic outcasts.” Viñes would premiere several of Ravel’s piano works, including his Miroirs, which the composer dedicated each of its five movements to a member of Les Apaches.
Miroirs was composed during 1904-05 and given its premiere in 1906. Meaning “Reflections,” the work demonstrates the development of Ravel’s technique as a composer of piano music, which had first leapt into maturity in his 1901 piece, Jeux d’eau. Ravel’s treatment of the vast possibilities of the piano was simultaneously inspired by the florid style of Franz Liszt and the most profound advancement in piano technique since that great virtuoso’s time. This style came to be a cornerstone of French Impressionism and even influenced Ravel’s older contemporary, Claude Debussy.
The second piece of Miroirs, “Oiseaux tristes” (“Sad Birds”), Ravel dedicated Viñes. It is a melancholy and doleful piece which Ravel described as "birds lost in the torpor of a dark forest during the hottest summer hours." The static and quiet triplet accompaniment that persists throughout much of the piece certainly evokes the stifling haze of summer. Above this we hear the melancholy birdsongs—some soft, others louder and penetrating. Much of the movement passes by quietly, making its melancholy ever more poignant, but a solitary rise to a forte creates a clamorous climax of birdsongs. The climax is fleeting, however, and the music quickly returns to its sad demeanor. A cadenza then precedes the movement’s somber close. Joseph DuBose
live recording - Hannover Musikhochschule
More music by Maurice Ravel
La Valse
Berceuse sur le nom de Gabriel Faure
Noctuelles from Miroirs
Daphnis and Chloé, Suite No. 2
Une barque sur l'océan, from Miroirs
Alborada del Gracioso, from Miroirs
Pièce en Forme de Habanera
Cinq Mélodies Populaires Grecques
Rhapsodie espagnole
Concerto No. 2 in D Major for Piano and Orchestra
Performances by same musician(s)
Dritte Sonate für Klavier und Violine op. post.
Noctuelles from Miroirs
Une barque sur l'océan, from Miroirs
Alborada del Gracioso, from Miroirs
Blues, from Sonata for violin and piano
Scherzo and March, S.177
Introduzione e Capriccio su un tema di Edward Elgar
Poeme
Thème et Variations for Violin and Piano
Toccata from Sinfonia,Arioso e Toccata op.59
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