Written during Ravel’s burgeoning maturity, the Sonatine is an example of his more than capable handling of the Classical traditions before him. The first movement is a well-structured sonata form (albeit utilizing Impressionistic harmonic colorings). Two themes emerge in the exposition—the first in tonic key of F-sharp minor, and the second in D major and B minor. Following this nearly textbook exposition is a dynamic and concise development section and a recapitulation that ultimately leads to a close in the tonic major. Owing to its diminutive form, the following minuet exists without a trio. Shifting to the key of the dominant (here spelt as D-flat major), it unfolds as a slow waltz, elegant and restrained but nonetheless building through moments of passion and intensity. Lastly, the toccata finale is the most technically challenging of the Sonatine’s three movements. Inspired in part by the keyboard writing of Couperin and Rameau, the movement shifts restlessly between 3/4 and 5/4 time and abounds in energy, driving the work to a brilliant conclusion.
Classical Music | Piano Music
Maurice Ravel
Sonatine (video) Play
Recorded on 08/31/2011, uploaded on 12/24/2011
Musician's or Publisher's Notes
Written during Ravel’s burgeoning maturity, the Sonatine is an example of his more than capable handling of the Classical traditions before him. The first movement is a well-structured sonata form (albeit utilizing Impressionistic harmonic colorings). Two themes emerge in the exposition—the first in tonic key of F-sharp minor, and the second in D major and B minor. Following this nearly textbook exposition is a dynamic and concise development section and a recapitulation that ultimately leads to a close in the tonic major. Owing to its diminutive form, the following minuet exists without a trio. Shifting to the key of the dominant (here spelt as D-flat major), it unfolds as a slow waltz, elegant and restrained but nonetheless building through moments of passion and intensity. Lastly, the toccata finale is the most technically challenging of the Sonatine’s three movements. Inspired in part by the keyboard writing of Couperin and Rameau, the movement shifts restlessly between 3/4 and 5/4 time and abounds in energy, driving the work to a brilliant conclusion.
- Joseph DuBose
More music by Maurice Ravel
La Valse
Berceuse sur le nom de Gabriel Faure
Noctuelles from Miroirs
Daphnis and Chloé, Suite No. 2
Une barque sur l'océan, from Miroirs
Alborada del Gracioso, from Miroirs
Pièce en Forme de Habanera
Cinq Mélodies Populaires Grecques
Rhapsodie espagnole
Concerto No. 2 in D Major for Piano and Orchestra
Performances by same musician(s)
Prelude Op 11 N° 4
Waltz Op 39 N° 15
Sicilienne
Bagatelle N° 25 "Für Elise"
Waltz Op 34 N° 2
Impromptu Op 90 N° 3
Rhapsody N° 2
Barcarolle Op 30 N° 6
Ballade N° 3
Intermezzo
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