Sonata No.2, Op.19 "Sonata-Fantasy" Alexander Scriabin
Andante; Presto
Alexander
Scriabin's music demonstrates the experimentation of the early twentieth
century, though it never loses the original, sensuous, and mystical sound that was
his own unique language. His ten piano sonatas, which form the core of his
creative output, chronicle the evolution of his musical world from Chopinesque
(in the first sonata) to the enigmatic complex textures and structures of the
tenth sonata. The second sonata, subtitled "Sonata-Fantasy", is a sophisticated
and memorable work of his early period. Lush, ravishing harmonies, the
exploration of varying color and sonorities, and his infinite search for
innovative technical means, all demonstrate Scriabin's compositional desire to
further explore the range of the piano. Scriabin wrote about the piece: "The
first section represents the quiet of a southern night on the seashore; the
development is the dark agitation of the deep, deep sea. The middle section, in
E Major, shows caressing moonlight coming up after the first darkness of night.
The second movement represents the vast expanse of ocean in stormy agitation". Grace Nikae
Classical Music | Piano Music
Alexander Scriabin
Sonata No. 2, Op. 19 “Sonata-Fantasy”
PlayRecorded on 09/28/2004, uploaded on 01/09/2009
Musician's or Publisher's Notes
Sonata No.2, Op.19 "Sonata-Fantasy" Alexander Scriabin
Andante; Presto
Alexander Scriabin's music demonstrates the experimentation of the early twentieth century, though it never loses the original, sensuous, and mystical sound that was his own unique language. His ten piano sonatas, which form the core of his creative output, chronicle the evolution of his musical world from Chopinesque (in the first sonata) to the enigmatic complex textures and structures of the tenth sonata. The second sonata, subtitled "Sonata-Fantasy", is a sophisticated and memorable work of his early period. Lush, ravishing harmonies, the exploration of varying color and sonorities, and his infinite search for innovative technical means, all demonstrate Scriabin's compositional desire to further explore the range of the piano. Scriabin wrote about the piece: "The first section represents the quiet of a southern night on the seashore; the development is the dark agitation of the deep, deep sea. The middle section, in E Major, shows caressing moonlight coming up after the first darkness of night. The second movement represents the vast expanse of ocean in stormy agitation". Grace Nikae
More music by Alexander Scriabin
Etude No. 12 in d-sharp minor Op. 8
Prelude Op 11 N° 4
Prelude Op 16 N° 4
Etude No. 12 in d-sharp minor, Op. 8
"Three Etudes" op. 65, no.3
Prelude Op.11, No.1
Etude in d-sharp minor, Op. 8 No. 12
Étude in C-sharp minor, Op. 2, No. 1
Prelude Op.11, No.14
Etude in c-sharp minor, Op. 2, No. 1
Performances by same musician(s)
Fantasy in f-sharp minor, Op.28
Prelude No.5 in G Major, Op.32
Prelude No. 10 in b minor, Op.32
Prelude No. 12 in g-sharp minor, Op.32
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