Prokofiev composed The Ugly Duckling for voice and piano in 1914, his final year as a student at the St. Petersburg Conservatory. Based on Nina Meshchersky’s adaptation of Hans Christian Andersen’s classic fairy tale, it has become over time one of the composer’s most frequently performed and recorded songs, and was later arranged for orchestra by Prokofiev himself. Its lengthy text and episodic nature make it akin and, in a manner, a predecessor, of his equally popular Peter and the Wolf. As a product of his earlier years, the musical language of The Ugly Duckling is excessively chromatic and often strident, and may catch off guard those expecting the approachable music of Peter and the Wolf. Yet, the same witty and ingenious depictions of the narrative that can be found in that later work will be quite easily discerned here throughout. The music is generally melancholy and forlorn, though not devoid of Prokofiev’s usual playful demeanor, as the ugly duckling bemoans his lot in life and is ultimately forced into a solitary existence. However, as spring returns, the duckling beholds his transformed countenance in the water’s reflection and the music turns brighter and more joyful. He finds his true place among the “beautiful and proud” swans, and as his fellow birds embrace him the music becomes both majestic and serene.Joseph DuBose
Classical Music | Soprano
Sergei Prokofiev
The Ugly Duckling
PlayRecorded on 05/26/2010, uploaded on 05/26/2010
Musician's or Publisher's Notes
Prokofiev composed The Ugly Duckling for voice and piano in 1914, his final year as a student at the St. Petersburg Conservatory. Based on Nina Meshchersky’s adaptation of Hans Christian Andersen’s classic fairy tale, it has become over time one of the composer’s most frequently performed and recorded songs, and was later arranged for orchestra by Prokofiev himself. Its lengthy text and episodic nature make it akin and, in a manner, a predecessor, of his equally popular Peter and the Wolf. As a product of his earlier years, the musical language of The Ugly Duckling is excessively chromatic and often strident, and may catch off guard those expecting the approachable music of Peter and the Wolf. Yet, the same witty and ingenious depictions of the narrative that can be found in that later work will be quite easily discerned here throughout. The music is generally melancholy and forlorn, though not devoid of Prokofiev’s usual playful demeanor, as the ugly duckling bemoans his lot in life and is ultimately forced into a solitary existence. However, as spring returns, the duckling beholds his transformed countenance in the water’s reflection and the music turns brighter and more joyful. He finds his true place among the “beautiful and proud” swans, and as his fellow birds embrace him the music becomes both majestic and serene. Joseph DuBose
More music by Sergei Prokofiev
The Scythian Suite
Violin Sonata No. 1 in f minor
Piano Concerto No.2 In G Minor Op.16
Piano Sonata no. 8
Dance of the Knights from Romeo and Juliet
Sonata for Cello and Piano in C Major, op.119
Dance of the Knights from Romeo and Juliet
Sonata No. 9 in C major, op. 103
March from the opera "Love to the three oranges"
Five pieces from the ballet Romeo and Juliet for viola and piano
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