Après un rève (“After a dream”) is one of the most beloved of Fauré’s vocal creations. It is the first song of his Trois mélodies, op. 7 and was composed, with its companions, between 1870 and 1878. Fauré did not intend the songs to form a coherent set and their grouping and designation as his opus 7 did not come about until their publication nearly twenty years later in the 1890s.
The author of the original Italian poem is unknown but the rather free translation into French which Fauré used was provided by the poet and singer Romain Bussine. In the poem, the narrator tells of a romantic meeting with a lover in a dream-world. The features of his lover are amplified in this ethereal realm (“your eyes were softer, your voice pure and resonant”) and she illuminates it by her very presence (“you shone like a sky lit up by the dawn”). He admits that he was beckoned to her and, after returning to reality, begs to return to this happy state even though he knows none of it is real (“O night, give me back your lies”).
Fauré’s setting is, at first glance, rather simple, but through this simplicity achieves a breathtaking surreal beauty. The piano provides a consistent, pulsing accompaniment of chords which underpin the vocalist’s richly lyrical and emotional melody. Set in C minor, suggesting the ultimate fatality of the poem, the harmonies and tonality waver between the minor and major modes to emphasize the juxtaposing blithe dream-world and the knowledge of reality.Joseph DuBose
From CD "Viola Collection - Anna Serova plays the 1615 Amati Viola "La Stauffer".
Classical Music | Music for Viola
Gabriel Fauré
Après un rève
PlayRecorded on 09/17/2010, uploaded on 03/27/2011
Musician's or Publisher's Notes
Après un rève (“After a dream”) is one of the most beloved of Fauré’s vocal creations. It is the first song of his Trois mélodies, op. 7 and was composed, with its companions, between 1870 and 1878. Fauré did not intend the songs to form a coherent set and their grouping and designation as his opus 7 did not come about until their publication nearly twenty years later in the 1890s.
The author of the original Italian poem is unknown but the rather free translation into French which Fauré used was provided by the poet and singer Romain Bussine. In the poem, the narrator tells of a romantic meeting with a lover in a dream-world. The features of his lover are amplified in this ethereal realm (“your eyes were softer, your voice pure and resonant”) and she illuminates it by her very presence (“you shone like a sky lit up by the dawn”). He admits that he was beckoned to her and, after returning to reality, begs to return to this happy state even though he knows none of it is real (“O night, give me back your lies”).
Fauré’s setting is, at first glance, rather simple, but through this simplicity achieves a breathtaking surreal beauty. The piano provides a consistent, pulsing accompaniment of chords which underpin the vocalist’s richly lyrical and emotional melody. Set in C minor, suggesting the ultimate fatality of the poem, the harmonies and tonality waver between the minor and major modes to emphasize the juxtaposing blithe dream-world and the knowledge of reality. Joseph DuBose
More music by Gabriel Fauré
Piano Quartet in C minor, Op. 15
Piano Quartet No. 2 in G Minor, Op. 45
Nocturne in e-flat minor, Op. 33, No. 1
Impromptu No. 3 in A-flat Major, Op. 34
From Requiem: Hostias
Élégie in C minor Op. 24
Sonata for Violin and Piano No. 1, Op. 13
Piano Quartet in C minor, Op. 15
Piano Quintet No. 1 in d minor, Op. 89
Morceau de Concours
Performances by same musician(s)
Scène Andalouse op.7 per viola, pianoforte e archi - II mov
Viola Concerto c moll - III mov
Viola Concerto c moll - I mov,
Maerchenbilder for viola and piano - I mov, op.113
Ciaccona
Viola Concerto c moll
Viola Concerto c moll - II mov
Capriccio per viola sola
Quintetto, op.44 - I mov
Romanze
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