Brahms’s Scherzo in c minor is the earliest surviving example of his writing for violin and piano. It resulted from a collaboration between Brahms and two of his composer friends, Robert Schumann and Albert Dietrich, who together wrote a piece for their celebrated violinist friend, Joseph Joachim. Joachim, a violin soloist with a glamorous yet perhaps lonely life of a touring artist, had adopted the personal motto “Frei, aber einsam,” or “free, but lonely,” and the trio of composers dubbed their collective work the “F.A.E.” sonata accordingly. This rousing middle movement of the sonata is often played alone today.Jessica Mathaes
Classical Music | Violin Music
Johannes Brahms
Scherzo for Violin and Piano in c minor, WoO posth. 2 (from F.A.E. Sonata) Play
Recorded on 11/21/2012, uploaded on 04/26/2013
Musician's or Publisher's Notes
Brahms’s Scherzo in c minor is the earliest surviving example of his writing for violin and piano. It resulted from a collaboration between Brahms and two of his composer friends, Robert Schumann and Albert Dietrich, who together wrote a piece for their celebrated violinist friend, Joseph Joachim. Joachim, a violin soloist with a glamorous yet perhaps lonely life of a touring artist, had adopted the personal motto “Frei, aber einsam,” or “free, but lonely,” and the trio of composers dubbed their collective work the “F.A.E.” sonata accordingly. This rousing middle movement of the sonata is often played alone today. Jessica Mathaes
More music by Johannes Brahms
Paganini variatons
Capriccio in d minor, Op 116, No. 7, from Seven Fantasies
Variations on a Theme by Haydn
Capriccio in c-sharp minor, from Eight piano pieces, Op. 76
Intermezzo in E Major, Op. 116, No. 4, from Seven Fantasies
Schicksalslied, Op. 54
Intermezzo in A Major, from Eight piano pieces, Op. 76
Intermezzo in e minor, Op. 116, No. 5, from Seven Fantasies
Intermezzo in b minor, Op. 119, No. 1
Klavierstücke op. 118 - VI. Intermezzo
Performances by same musician(s)
The Attack and Reign of The Broken Stained Glass Angels: Trio Gloratio for Violin, Viola and Piano
The Lark Ascending
Orientale, from Kaleidoscope
Suite from "Much Ado About Nothing"
Staring at The Unremembering Moonlight: Elegy for Violin and Piano
On Passing Texas Churches at Mystic Sunset: Hymn for Solo Violin
Vidui, from Baal Shem
Nigun, from Baal Shem
Sonata for Violin in E-flat Major, Op. 18
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