Claude Debussy wrote the Violin Sonata at the very end of his life. In 1914, his publisher encouraged him to write a set of six sonatas for various instruments. The project included sonatas for cello and piano, flute, viola and harp, violin and piano, oboe, horn and harpsichord, trumpet, clarinet, bassoon and piano, and a concerto for small mixed ensemble. Only the first three were completed as Debussy was already terminally ill when he began this project.
The poignant opening chords of the first movement of Debussy's Sonata immediately transport the listener into a subdued atmosphere, one of nostalgia and sadness. The movement is filled with rhythmic and harmonic ambiguity with an ongoing momentum, regardless of speed. A contrasting middle movement, Fantasque et léger, is mostly light and capricious. The last movement, Très animé, was completed four months before the preceding two. It begins with running notes in the piano, punctuated with a melodic emphasis from the second theme of the second movement. The violin then enters in a slightly modified handling of the nostalgic theme from the very opening of the sonata. Veronique Mathieu
Classical Music | Violin Music
Claude Debussy
Sonata for Violin and Piano
PlayRecorded on 12/18/2019, uploaded on 01/29/2021
Musician's or Publisher's Notes
I.Allegro vivo
II.Intermède: fantasque et léger
III.Finale: très animé
Violin Sonata, L. 140 (14’) Debussy
Claude Debussy wrote the Violin Sonata at the very end of his life. In 1914, his publisher encouraged him to write a set of six sonatas for various instruments. The project included sonatas for cello and piano, flute, viola and harp, violin and piano, oboe, horn and harpsichord, trumpet, clarinet, bassoon and piano, and a concerto for small mixed ensemble. Only the first three were completed as Debussy was already terminally ill when he began this project.
The poignant opening chords of the first movement of Debussy's Sonata immediately transport the listener into a subdued atmosphere, one of nostalgia and sadness. The movement is filled with rhythmic and harmonic ambiguity with an ongoing momentum, regardless of speed. A contrasting middle movement, Fantasque et léger, is mostly light and capricious. The last movement, Très animé, was completed four months before the preceding two. It begins with running notes in the piano, punctuated with a melodic emphasis from the second theme of the second movement. The violin then enters in a slightly modified handling of the nostalgic theme from the very opening of the sonata. Veronique Mathieu
More music by Claude Debussy
La Puerta del Vino, from Préludes Book II
Les sons et les parfums tournent dans l'air du soir, from Préludes, Book I
Soiree dans Grenade, from Estampes
Rapsodie (arr. Rousseau)
Arabesque in C sharp major
Beau Soir
Ondine, from Préludes Book II
La Cathédrale engloutie, from Preludes, Books 1, No.10
Apparition, from Quatre chansons de jeunesse
Estampes
Performances by same musician(s)
Violin Sonata, FP 119
Two Pieces for Violin and Piano
Classical Music for the Internet Era™
Courtesy of International Music Foundation.