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October 25, 2010
And now for something completely different… Turtle Island Quartet. What are the limits of classical music and where are they? Is there a definable line that can be drawn to label some music as “classical” and other as “not belonging,” however good it might be? Perhaps the modified Supreme Court test could work: “I know it when I hear it.” But sometimes even this test gives ambiguous results. Kronos Quartet inhabits this borderline land, and now the Turtle Island Quartet has just come out with yet another one of their typecast-defying CDs, this one based on the music of Jimi Hendrix and David Balakrishnan. As Andy Summers writes, “Translating the music of Jimi Hendrix visceral electric guitar music into the vernacular of the classical string quartet seems like an improbably idea. Yet in this remarkable recording…[the quartet] has once again hit what at first might seem a difficult target.” Here’s Jimi Hendrix’s “1983… A Merman I Should Turn To Be,” arranged by the violinist, composer, and the founder of Turtle Island Quartet David Balakrishnan. We’re not sure about the labels, but we think it sounds great.
October 18, 2010
The great Hungarian composer and pianist Franz Liszt was born 199 year ago this week, on October 22 of 1811. We’ll celebrate him with several piano pieces, some from his years as a celebrity virtuoso and the subsequent Weimar period, and some from his last years (Liszt’s reputation was enhanced by Alfred Brendel’s incessant promotion of that period’s music).
We start with the sonata Après une Lecture de Dante, which was written in 1849. It is performed by the young Swiss pianist Beatrice Berrut. We follow with two etudes, Transcendental Etude No. 8 "Wilde Jagd" (Wild Hunt), written in 1853 (it’s played by Giorgi Latsabidze), and Gnomenreigen (Dance of the Gnomes) from 1862, which is performed by Nadejda Vlaeva. Then we play two pieces from Liszt’s last period: the 1877 composition Les jeux d’eau à la Villa d’Este, whose harmonies foreshadow the impressionism of Debussy and Ravel (it is played by Jorge Federico Osorio), and a very unusual short composition from 1881, Nuages gris (Grey Clouds), performed by Carlos César Rodríguez. To listen, click here.
October 11, 2010
Wendy Warner and Irina Nuzova. The cellist Wendy Warner and the pianist Irina Nuzova recently issued a highly successful CD and are now following it up with a series of Chicago-area concerts. A collection of Russian music for Cello and Piano, the CD debuted last week at number 8 on the Billboard Classical Charts. It was produced by Cedille Records, a Chicago label devoted to promoting local classical musicians. The CD contains several rarely performed works, including Miaskovsky’s Sonata No. 2 in a minor (the composer dedicated it to the great cellist Mstislav Rostropovich), and Alfred Schnitke’s Musica nostalgica. One of its pieces – Gregor Piatigorsky’s arrangement of Alexander Scriabin’s Etude Op.8 No. 11 – can be heard here.
Wendy Warner grew up in Chicago and first gained recognition as a soloist at the Curtis Institute in Philadelphia, where she studied under Rostropovich. At 18, she won first prize at the Fourth International Rostropovich Competition in Paris in 1990 and then toured extensively with Rostropovich throughout Europe and the U.S. A recipient of the prestigious Avery Fisher Career Grant, Warner still feels her mentor’s influence as she performs with orchestras and chamber groups across the world. “He believed in pushing oneself, constantly striving to be better,” she says. “He always told me it wasn’t enough to be a great cellist, I had to search deeper into being a great musician.” When she isn’t performing, Warner mentors the next generation of artists by teaching at Roosevelt University’s Chicago College of Performing Arts, the Music Institute of Chicago, and the Schwob School of Music at Columbus State University in Georgia.
Pianist Irina Nuzova made her New York recital debut at Carnegie's Weill Recital Hall in 1997, also appearing at New York’s Merkin Concert Hall, the Steinway Society in Princeton, New Jersey, and the Palazzo Minerva in Minerbio, Italy. She has won top prizes in international competitions, including the coveted Bruce Hungerford Award at the Young Concert Artist Auditions in New York, and the Beethoven Piano Sonata International Competition in Memphis, Tennessee. Ms. Nuzova studied in Russia and also the Juilliard, where she was taught by Oxana Yablonskaya and Jerome Lowenthal.
October 4, 2010
The Baroque Band is a period-instrument orchestra based in Chicago. It was founded in 2007 by the British violinist and conductor Garry Clarke. Garry moved to the US in 2004; while in the UK, he performed with The Academy of Ancient Music, The Sixteen, The Orchestra of the Age of Enlightenment, and other ensembles. He has also worked with Christopher Hogwood, John Elliot Gardener, Sir Charles Mackaras and many other eminent conductors.
Chicago Tribune critic John von Rhein hailed the Baroque Band as one of the top ten Chicago ensembles. He wrote: “The goal of Garry Clarke is to make the group a nexus of “authentic” pre-classical performance in the Midwest. An ambitious undertaking, but Clarke and friends are off to an auspicious start.”
We’re in the process of providing access to some of the live recordings made by the Baroque Band in the past three seasons. To whet your appetite, here are two recordings: Henry Purcell’s Suite from Dido and Aeneas (there’s much more to this music than the famous When I’m laid in earth aria), with the wonderful mezzo-soprano Jennifer Lane and David Schrader at the harpsichord; and Jean-Philippe Rameau’s Suite from Les Indes Galantes. We’ll have more from the Baroque Band later; in the mean time you can listen here.
September 27, 2010
September Birthdays. We’d like to commemorate several composers who had their birthdays in September. Jean-Philippe Rameau was born on the 25th of the month in 1683. He followed (and surpassed) Jean-Baptiste Lully in developing the French "Classique" style of music. Rameau composed operas, instrumental music, and music for the harpsichord. You can hear Chicago’s Baroque Band period-instrument orchestra perform his Les Indes Galantes opera suite here.
The great Russian composer Dmitry Shostakovich was also born on the 25th, in 1906. Here is his Violin Concerto No. 1, performed by Albert Markov and the Moscow State Orchestra. The concerto was written in 1947-48 during a period in which Shostakovich fell under heavy criticism from the Soviet press. The first performance of the concerto had to wait till 1955, after Stalin’s death.
One of the giants of modernism, Arnold Schoenberg was born on September 13, 1874. You can hear the short Piano Piece No. 3 played by Irina Klyuev.
And finally, the Estonian composer Arvo Pärt was born on the 11th of the month in 1935. His Speigel Im Spiegel is performed by Janus Trio (click here). This music was written in 1978, while Pärt still lived in Estonia (he emigrated in 1980, moved to Vienna, then Berlin, but later returned to Estonia and now lives in Tallinn).
September 20, 2010
The pianist Catherine Gordeladze was born in Tbilisi, Georgia, and now lives in Germany. She has earned critical acclaim as a recitalist, orchestral soloist and chamber musician. Her recent debut at the Landestheater Coburg, where she performed Schumann's Piano concerto in a minor under the baton of Nicolás Pasquet, earned her praise from The Coburger Tagesblatt: “Technically she was superior at all times, thoroughly enjoying the beauty of the piano part…” Her performance of Bach’s Goldberg Variations was also highly praised by The Frankfurter Rundschau.
Ms. Gordeladze started playing piano at the age of 6 and made her debut with a symphony orchestra at the age of 11 playing Beethoven's Third Piano Concerto with the Georgia Philharmonic. She studied at the Tbilisi State Conservatory with Professor Nodar Gabunia. She continued her studies in Germany, where she attended several music institutions. She worked with Vladimer Krainev, Paul Badura-Skoda, Rudolf Kehrer, but was especially influenced by Alexis Weissenberg. Ms. Gordeladze won several top prizes in international competitions, among them the 3rd prize at the VI European Chopin Piano Competition in Darmstadt, and the 1st prize in the IV International Music festival in Dietzenbach (Germany).
Ms. Gordeladze’s latest project is Haydn’s sonatas. We’ll hear three of those: in D Major (Hob. XVI:37), in A-flat Major (Hob XVI: 46), and probably the most popular of Haydn’s sonatas, in E-flat Major, Hob XVI: 52. To listen, click here.