Robert Schumann Op 12 N° 1 - Des Abends Fantasiestücke, op. 12, a set of eight pieces for piano, was compos...
Robert Schumann Op 12 N° 2 - Aufschwung Fantasiestücke, op. 12, a set of eight pieces for piano, was compos...
Robert Schumann Op 12 N° 3 - Warum? Fantasiestücke, op. 12, a set of eight pieces for piano, was compos...
Robert Schumann Op 12 N° 4 - Grillen Fantasiestücke, op. 12, a set of eight pieces for piano, was compos...
Robert Schumann Op 12 N° 5 - In der Nacht Fantasiestücke, op. 12, a set of eight pieces for piano, was compos...
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April 5, 2010
March is so rich on composers’ birthdays, but we had a chance to celebrate just two – that of Chopin, who turned 200, and Bach’s also quite special 325th anniversary. So we missed the birthdays of Maurice Ravel, Pablo Sarasate, Hugo Wolf, Telemann, two great Russians, Rimsky-Korsakov and Mussorgsky, Bela Bartok, and even Franz Joseph Haydn! We’ll try to catch up this week with the following chronological program. First, the flutists Colleen Matheu performs Telemann’s Fantasia No. 2 for Unaccompanied Flute. Then the pianist Sofya Melikyan plays Andante with variations in f minor by Franz Joseph Haydn. Sonya Bach follows with the piano transcription of Mussorgsky’s Night on Bald Mountain. And at the end we’ll hear Amelia Trio play Ravel’s Piano Trio in a minor. We’ll have more next week, but in the mean time, please click here to listen.
March 29, 2010
The pianist Alon Goldstein, violinist Ilya Kaler and cellist Amit Peled, wonderful instrumentalists in their own right, have been playing together for a number of years. Now they call their ensemble the Tempest Trio. The Tempest has embarked on an exploration of all Beethoven trios for piano and strings. Beethoven wrote piano trios throughout most of his creative life, starting with Op. 1 and finishing with the “Archduke” in 1811. If we count trios without opus numbers, then the total comes to 12, so the Tempest, and its listeners, are set for a wonderful journey. We have three trios in our library, numbers 4, 5, and 7. Today we present Trio no 7 op. 97, “Archduke.” To listen, click here.
March 22, 2010. Bach at 325!
Johann Sebastian Bach was born three-and-a-quarter centuries ago, on March 21 1685, but the freshness and impact of his music remains as true today as the day it was written. Considered by many to be the greatest composer of all time, his compositions are performed by instrumentalists, orchestras, and singers around the world. His music is sought by concertgoers and Internet users alike: Bach, together with Mozart, is the most popular composer on the Web. We could play his music all day long, but we’ll limit our selection to just five pieces. We’ll start with David Schrader playing Chromatic Fantasy and Fugue in d minor, BWV 903 on harpsichord. The pianist Elena Baksht will then play English Suite No. 2 in a minor. The cellist Inbal Segev will follow with Prelude and Gigue, from Suite Number 6, BWV 1012. Rachel Barton Pine (violin) will play Sonata No. 1 in G Minor, BWV 1001. We’ll conclude with David Schrader, again, in this case as the organist: he’ll play Toccata and Fugue in d minor, BWV 565. To listen, click here.
March 15, 2010
The cellist Suren Bagratuni won the Silver Medal at the 1986 International Tchaikovsky Competition while still a student at the Moscow Conservatory. Since then he has gone to a distinguished international career as a soloist, recitalist and chamber musician. He has toured worldwide earning enthusiastic praise in both traditional and contemporary repertoire. He has performed with the many major orchestras, including the Moscow Philharmonic under the direction of Valery Gergiev, the Weimar Staatskapelle, Stuttgarter Kammerorchester and other. The Boston Globe called his performance of the Shostakovich d minor sonata “one of the best performances of the year.” Mr. Bagratuni studies at the Moscow Conservatory with such legendary cellists as Daniel Shafran and Natalia Shakhovskaya, and later at the New England Conservatory of Music with Laurence Lesser. We’ll hear Nr. Bagratuni perform two compositions, Bach’s Suite for solo cello BWV 1011 and the Shostakovich sonata mentioned above (he’s accompanied by Sergey Babayan). Please browse our library as we have many other great performances by Mr. Bagratuni. To listen, click here.
March 8, 2010.
Elena Kuschnerova is a Russian-born, German-based "pianist who grabs the imagination," according to the late New York Times critic Harold Schonberg, who also praised her Scriabin recordings. Elena studied at the Moscow Conservatory with Sergei Dorensky. She was influenced by the great and controversial Russian composer Alexander Lokshin (1920-1987), who wrote a variation cycle for her. Ms. Kuschnerova established herself in Germany in 1992. Her recitals and CDs encompass a wide range, from Bach to first performances of works composed for her. The following “virtual recital” will include: J.S. Bach’s Prelude and Fugue in c minor, from the first volume of the Well-Tempered Clavier, followed by Intermezzo No. 2 in A Major, Op. 118 by Johannes Brahms. We will then hear Scriabin’s Etude No. 12 in d-sharp minor, Op. 8 and Prokofiev’s March from the opera Love to the three oranges." We’ll conclude with Alexander Lokshin’s Prelude and Theme with Variations. It was written in 1982 and dedicated to Elena Kuschnerova. To listen, click here.
March 1, 2010. Chopin 200!
Yes, Frédéric Chopin was born on March 1 200 years ago! So, without further ado, let’s celebrate. We’ll hear pianists from many countries. Mara Dobresco of France plays the Valse in e minor, Op. Posth.; Elena Kuschnerova of Germany – the Nocturne in D-flat Major, Op. 27, No. 2; Bill-John Newbrough – the Grande Valse Brillante in E-flat Major, Op. 18; Konstantyn Travinsky of Ukraine plays Etude Op. 25, No. 12 in c minor and Valse Op. 70, No. 1 in G-flat Major; Dmitry Paperno, formerly of Russia, plays the Mazurka in A-flat Major, Op. 41, No. 4; John Ferguson – the Nocturne in c minor, Op. 48, No. 1; Spencer Myer plays the Polonaise-Fantaisie, Op. 61; Elena Baksht, another former Russian pianist, plays the Scherzo No. 2 in b-flat minor; and Hayk Arsenyan, the pianist born in Armenia, plays the Ballade No. 2 in F major, Op. 38. To listen, click here.
April 5, 2010
March is so rich on composers’ birthdays, but we had a chance to celebrate just two – that of Chopin, who turned 200, and Bach’s also quite special 325th anniversary. So we missed the birthdays of Maurice Ravel, Pablo Sarasate, Hugo Wolf, Telemann, two great Russians, Rimsky-Korsakov and Mussorgsky, Bela Bartok, and even Franz Joseph Haydn! We’ll try to catch up this week with the following chronological program. First, the flutists Colleen Matheu performs Telemann’s Fantasia No. 2 for Unaccompanied Flute. Then the pianist Sofya Melikyan plays Andante with variations in f minor by Franz Joseph Haydn. Sonya Bach follows with the piano transcription of Mussorgsky’s Night on Bald Mountain. And at the end we’ll hear Amelia Trio play Ravel’s Piano Trio in a minor. We’ll have more next week, but in the mean time, please click here to listen.
March 29, 2010
The pianist Alon Goldstein, violinist Ilya Kaler and cellist Amit Peled, wonderful instrumentalists in their own right, have been playing together for a number of years. Now they call their ensemble the Tempest Trio. The Tempest has embarked on an exploration of all Beethoven trios for piano and strings. Beethoven wrote piano trios throughout most of his creative life, starting with Op. 1 and finishing with the “Archduke” in 1811. If we count trios without opus numbers, then the total comes to 12, so the Tempest, and its listeners, are set for a wonderful journey. We have three trios in our library, numbers 4, 5, and 7. Today we present Trio no 7 op. 97, “Archduke.” To listen, click here.
March 22, 2010. Bach at 325!
Johann Sebastian Bach was born three-and-a-quarter centuries ago, on March 21 1685, but the freshness and impact of his music remains as true today as the day it was written. Considered by many to be the greatest composer of all time, his compositions are performed by instrumentalists, orchestras, and singers around the world. His music is sought by concertgoers and Internet users alike: Bach, together with Mozart, is the most popular composer on the Web. We could play his music all day long, but we’ll limit our selection to just five pieces. We’ll start with David Schrader playing Chromatic Fantasy and Fugue in d minor, BWV 903 on harpsichord. The pianist Elena Baksht will then play English Suite No. 2 in a minor. The cellist Inbal Segev will follow with Prelude and Gigue, from Suite Number 6, BWV 1012. Rachel Barton Pine (violin) will play Sonata No. 1 in G Minor, BWV 1001. We’ll conclude with David Schrader, again, in this case as the organist: he’ll play Toccata and Fugue in d minor, BWV 565. To listen, click here.
March 15, 2010
The cellist Suren Bagratuni won the Silver Medal at the 1986 International Tchaikovsky Competition while still a student at the Moscow Conservatory. Since then he has gone to a distinguished international career as a soloist, recitalist and chamber musician. He has toured worldwide earning enthusiastic praise in both traditional and contemporary repertoire. He has performed with the many major orchestras, including the Moscow Philharmonic under the direction of Valery Gergiev, the Weimar Staatskapelle, Stuttgarter Kammerorchester and other. The Boston Globe called his performance of the Shostakovich d minor sonata “one of the best performances of the year.” Mr. Bagratuni studies at the Moscow Conservatory with such legendary cellists as Daniel Shafran and Natalia Shakhovskaya, and later at the New England Conservatory of Music with Laurence Lesser. We’ll hear Nr. Bagratuni perform two compositions, Bach’s Suite for solo cello BWV 1011 and the Shostakovich sonata mentioned above (he’s accompanied by Sergey Babayan). Please browse our library as we have many other great performances by Mr. Bagratuni. To listen, click here.
March 8, 2010.
Elena Kuschnerova is a Russian-born, German-based "pianist who grabs the imagination," according to the late New York Times critic Harold Schonberg, who also praised her Scriabin recordings. Elena studied at the Moscow Conservatory with Sergei Dorensky. She was influenced by the great and controversial Russian composer Alexander Lokshin (1920-1987), who wrote a variation cycle for her. Ms. Kuschnerova established herself in Germany in 1992. Her recitals and CDs encompass a wide range, from Bach to first performances of works composed for her. The following “virtual recital” will include: J.S. Bach’s Prelude and Fugue in c minor, from the first volume of the Well-Tempered Clavier, followed by Intermezzo No. 2 in A Major, Op. 118 by Johannes Brahms. We will then hear Scriabin’s Etude No. 12 in d-sharp minor, Op. 8 and Prokofiev’s March from the opera Love to the three oranges." We’ll conclude with Alexander Lokshin’s Prelude and Theme with Variations. It was written in 1982 and dedicated to Elena Kuschnerova. To listen, click here.
March 1, 2010. Chopin 200!
Yes, Frédéric Chopin was born on March 1 200 years ago! So, without further ado, let’s celebrate. We’ll hear pianists from many countries. Mara Dobresco of France plays the Valse in e minor, Op. Posth.; Elena Kuschnerova of Germany – the Nocturne in D-flat Major, Op. 27, No. 2; Bill-John Newbrough – the Grande Valse Brillante in E-flat Major, Op. 18; Konstantyn Travinsky of Ukraine plays Etude Op. 25, No. 12 in c minor and Valse Op. 70, No. 1 in G-flat Major; Dmitry Paperno, formerly of Russia, plays the Mazurka in A-flat Major, Op. 41, No. 4; John Ferguson – the Nocturne in c minor, Op. 48, No. 1; Spencer Myer plays the Polonaise-Fantaisie, Op. 61; Elena Baksht, another former Russian pianist, plays the Scherzo No. 2 in b-flat minor; and Hayk Arsenyan, the pianist born in Armenia, plays the Ballade No. 2 in F major, Op. 38. To listen, click here.