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Robert Schumann
Op 12 N° 1 - Des Abends
Fantasiestücke, op. 12, a set of eight pieces for piano, was compos...
Robert Schumann
Op 12 N° 2 - Aufschwung
Fantasiestücke, op. 12, a set of eight pieces for piano, was compos...
Robert Schumann
Op 12 N° 3 - Warum?
Fantasiestücke, op. 12, a set of eight pieces for piano, was compos...
Robert Schumann
Op 12 N° 4 - Grillen
Fantasiestücke, op. 12, a set of eight pieces for piano, was compos...
Robert Schumann
Op 12 N° 5 - In der Nacht
Fantasiestücke, op. 12, a set of eight pieces for piano, was compos...
Robert Schumann
Op 12 N° 6 - Fabel
Fantasiestücke, op. 12, a set of eight pieces for piano, was compos...
Robert Schumann
Op 12 N° 7 - Traumes Wirren
Even once Robert Schumann chose to pursue music over literature, his...

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May 11, 2009

Something old, something new: Thomas Bergeron plays trumpet. We start with a very classical piece: the 2nd Movement of Haydn's Trumpet concerto. Then you'll hear something new indeed: the recording of the premiere performances of Jay Wadley's "Upon Awakening, Still Burning." Wadley is 26, recently out of Yale. The style of "Upon Awakening" borrows both from minimalism and jazz improvisations, but on the whole, delivers an original and interesting composition. The last piece on the playlist is Villa-Lobos's Aria from Bachianas Brasilieras. To listen, click here.


May 4, 2009

The pianist Alon Goldstein is a sensitive and highly intelligent musician. His technique is impeccable, but much more important is his warmth and ability to communicate. He has had an active career as a soloist but also enjoys collaborating with other musicians, such as the violinist Ilya Kaler, cellist Amit Peled and clarinetist Alexander Fiterstein (we have samples of their work in our library). Alon Goldstein has a broad repertory, which is reflected in the playlist presented here. This is just a sample of what we have: for example, we included one Schumann song (Der Nussbaum) but you might enjoy more of Schumann and Schubert sung by a wonderful soprano Hyunah Yu and accompanied by Mr. Goldstein.


April 27, 2009

In the hands of a real musician, the viola has the most beautiful sound. The only reason we don’t hear it more often as a solo instrument is a somewhat limited repertory. This week we present two violists, Brett Deubner and Eric Nowlin. Both have performed extensively in the US and abroad, both are technically brilliant and have a wonderful sound. Brett Deubner performs several smaller pieces and, as befits a champion of modern music, the finale of the viola concerto by Frank Lewin. Eric Nowlin plays Franck’s violin sonata transcribed for viola. Listen to these viola selections here and please browse the site: we have much more in our library.


April 20, 2009

Young Israeli cellist Amit Peled is hailed as one of the most exciting young artists on the concert stage today. He has an expressive, beautiful sound that he uses with great skill: his Bach is as interesting to listen to as his Rachmaninov. We have a broad selection of Amit’s work, some of it in collaboration with the violinist Ilya Kaler and clarinetist Alexander Fiterstein (we included one such piece in the playlist). Listen to our selection here, but please search the site for his other work: we think you’ll enjoy it.


April 13, 2009

We have a special treat this week in memory of the great Georgian singer, Zurab Andjaparidze, who was the leading tenor of the Bolshoi Opera in the 1960s. He was not as widely known in the West, but opera lovers around the world consider him one of the most important artists in the history of opera. Dubbed the "Soviet Franco Corelli" by the Italian press, his vast repertory encompassed the Russian classics (he was hailed as one of the best Hermanns), Italian operas (from Radames to Otello), and Georgian national operas. You may read more about this wonderful singer here. You can listen to some samples of Zurab Andjaparidze’s rare recordings here. There are many more recordings in our library, so go ahead and enjoy the art and voice of Zurab Andjaparidze.


April 6, 2009

This week, we would like to showcase the exceptional talents of violinist Rachel Barton Pine – and also highlight the unique benefits of listening to classical music on the Internet. Click here and listen to Barton Pine play Brahms' Violin Concerto – not just one, but two versions of it! The first one, with the more traditional Joachim cadenza at the end of the first movement, and the second – Rachel's own. The cadenza starts 19 minutes 11 seconds into the performance. You can set the player at exactly that point to compare, or listen to the whole concerto from start to finish. The Chicago Symphony Orchestra and Carlos Kalmar partner with Rachel in this wonderful performance, which was provided to us by Cedille Records.


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