Selection from Müllerlieder von Franz Schubert Franz Liszt
The greatest pianist of his time and a composer of sweeping vision, Franz Liszt was also a zealous advocate for other composers, whose work he popularized through various keyboard arrangements. He had a particular feeling for the music of Franz Schubert (1797-1828), more than fifty of whose songs he transcribed over his lifetime—most of them during the crumbling of his affair with the countess Marie d’Agoult,which perhaps made him more susceptible to the lovelorn theme of so many of these Lieder. Wohin? (Where?) comes from Schubert’s 1823 song cycle, Die schöneMüllerin, based on a verse collection by Wilhelm Müller. Known also as Müllerlieder, which is what Liszt called his keyboard arrangement, Schubert’s cycle traces the tale of a young miller whose carefree hike along a brook leads to a fatal liaison. The song, distinguished by water-rippled nature-painting that Liszt also incorporates, provides before-and-after images of doomed infatuation.Yoonie Han
Classical Music | Piano Music
Franz Liszt
Wohin?, from Müllerliede
PlayRecorded on 12/10/2014, uploaded on 05/28/2015
Musician's or Publisher's Notes
Selection from Müllerlieder von Franz Schubert Franz Liszt
The greatest pianist of his time and a composer of sweeping vision, Franz Liszt was also a zealous advocate for other composers, whose work he popularized through various keyboard arrangements. He had a particular feeling for the music of Franz Schubert (1797-1828), more than fifty of whose songs he transcribed over his lifetime—most of them during the crumbling of his affair with the countess Marie d’Agoult, which perhaps made him more susceptible to the lovelorn theme of so many of these Lieder. Wohin? (Where?) comes from Schubert’s 1823 song cycle, Die schöne Müllerin, based on a verse collection by Wilhelm Müller. Known also as Müllerlieder, which is what Liszt called his keyboard arrangement, Schubert’s cycle traces the tale of a young miller whose carefree hike along a brook leads to a fatal liaison. The song, distinguished by water-rippled nature-painting that Liszt also incorporates, provides before-and-after images of doomed infatuation. Yoonie Han
More music by Franz Liszt
Un Sospiro, from Trois Etudes de concert, S. 144
Tarantelle di bravura, S 386
Orage (Storm) from Book I Années de Pèlerinage: Suisse
Consolation no. 4, S.172
Consolation N° 3
Vallée d'Obermann from Book I Années de Pèlerinage: Suisse
Orage (Storm) from Book I Années de Pèlerinage: Suisse
Paraphrase on Quartet from Verdi’s “Rigoletto”
Years of Pilgrimage, First Year: Switzerland
Romance oubliée
Performances by same musician(s)
El amor y la muerte, from Goyescas
Variations sur un thème de Chopin
Los Requiebros, from Goyescas
Dance of the Blessed Spirits, from Orfeo ed Euridice
Carnaval, Op. 9
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