The inspiration for Maurice Ravel’s Valses nobles et sentimentales came from two groups of piano pieces Franz Schubert had penned more than 80 years before: the 12 Valses nobles (D.969, published in 1827 as Schubert’s Op. 77) and the 34 Valses sentimentales (D.779, from 1823–24). In both cases the titles were probably invented by the publishers rather than having been suggested by Schubert himself. Nonetheless, they do sum up the spirit of the respective groups of waltzes, which have been cherished through the years more as “private” amusements for the studio or salon than as items for the concert stage.
Valses nobles et sentimentales stands as a seminal work in Ravel’s oeuvre, a distillation of his harmonic practices and his distinctive expression. The work’s lilting rhythms and sharp dissonances seem transparent, yet the simplicity is deceptive; this is the piece that moved Debussy to declare of Ravel: “This is the most subtle ear that can ever have existed”.Program notes by James M. Keller
Classical Music | Piano Music
Maurice Ravel
Valses Nobles et Sentimentales
PlayRecorded on 08/12/2015, uploaded on 04/24/2016
Musician's or Publisher's Notes
The inspiration for Maurice Ravel’s Valses nobles et sentimentales came from two groups of piano pieces Franz Schubert had penned more than 80 years before: the 12 Valses nobles (D.969, published in 1827 as Schubert’s Op. 77) and the 34 Valses sentimentales (D.779, from 1823–24). In both cases the titles were probably invented by the publishers rather than having been suggested by Schubert himself. Nonetheless, they do sum up the spirit of the respective groups of waltzes, which have been cherished through the years more as “private” amusements for the studio or salon than as items for the concert stage.
Valses nobles et sentimentales stands as a seminal work in Ravel’s oeuvre, a distillation of his harmonic practices and his distinctive expression. The work’s lilting rhythms and sharp dissonances seem transparent, yet the simplicity is deceptive; this is the piece that moved Debussy to declare of Ravel: “This is the most subtle ear that can ever have existed”. Program notes by James M. Keller
More music by Maurice Ravel
La Valse
Berceuse sur le nom de Gabriel Faure
Noctuelles from Miroirs
Daphnis and Chloé, Suite No. 2
Une barque sur l'océan, from Miroirs
Alborada del Gracioso, from Miroirs
Pièce en Forme de Habanera
Cinq Mélodies Populaires Grecques
Rhapsodie espagnole
Concerto No. 2 in D Major for Piano and Orchestra
Performances by same musician(s)
Préludes for Piano, No. 8
Gondoliera, from Venezia e Napoli
Tarantella, from Venezia e Napoli
Classical Music for the Internet Era™
Courtesy of International Music Foundation.