Originally published in 1724 for the harpsichord, Rameau’s compositional brilliance can be heard in the artful contrast of a hypnotic harmonic stagnancy against the swiftly flowing harmonic changes which evoke the movements and sounds of birds in Le Rappel des Oiseaux (The Call of the Birds) while Musette en Rondeau, and Tambourin display an almost continuous use of the left hand drone in E major and E minor.Samuel Deason
Classical Music | Piano Music
Jean-Philippe Rameau
Tambourin, from Suite for Keyboard in E Play
Recorded on 08/31/2016, uploaded on 04/08/2017
Musician's or Publisher's Notes
Originally published in 1724 for the harpsichord, Rameau’s compositional brilliance can be heard in the artful contrast of a hypnotic harmonic stagnancy against the swiftly flowing harmonic changes which evoke the movements and sounds of birds in Le Rappel des Oiseaux (The Call of the Birds) while Musette en Rondeau, and Tambourin display an almost continuous use of the left hand drone in E major and E minor. Samuel Deason
More music by Jean-Philippe Rameau
Dardanus suite
Suite from Les Indes Galantes
Tristes apprêts, from Castor & Pollux
La dauphine
Les sauvages
Gavotte and Doubles, from Suite in A minor
Le rappel des oiseaux (Bird Calls)
Sarabande and Gigue with variations
Le Rappel des Oiseaux, from Suite for Keyboard in E
Musette en Rondeau, from Suite for Keyboard in E
Performances by same musician(s)
Notturno, from Six Pieces for Solo Piano
Variations and Fugue on a Theme by Handel, Op. 24
Toccata
Le Rappel des Oiseaux, from Suite for Keyboard in E
Musette en Rondeau, from Suite for Keyboard in E
The Lark
Ballade in G Minor, Op. 24
Scherzo in E-Flat Minor, Op. 4
Classical Music for the Internet Era™
Courtesy of International Music Foundation.