Liszt was Hungary’s first internationally renowned composer.He catapulted to fame as a virtuoso pianist, possibly the greatest the world has ever known.His solo piano compositions are primarily display pieces for strength and technique. They do afford plenty of opportunity for good musicianship, and they memorialize his bravura playing style. Between 1840 and 1847 he published two sets of pieces based on Hungarian themes under the titles Magyar Dallok and Magyar Rhapsodiak. Although these works were revised extensively in subsequent years, they are the origins of the collection we know as the Hungarian Rhapsodies. The Twelfth is one of those that he later orchestrated, which has added to its familiarity.Like the other Hungarian Rhapsodies, it is important for its expansion of keyboard technique, admirably imitating the sounds of the Gypsy band in a quasi-orchestral extravaganza that is quite remarkable on solo piano. Notes by Laurie Shulman
Classical Music | Piano Music
Franz Liszt
Hungarian rhapsody n. 12
PlayRecorded on 04/05/2017, uploaded on 12/04/2017
Musician's or Publisher's Notes
Liszt was Hungary’s first internationally renowned composer. He catapulted to fame as a virtuoso pianist, possibly the greatest the world has ever known. His solo piano compositions are primarily display pieces for strength and technique. They do afford plenty of opportunity for good musicianship, and they memorialize his bravura playing style. Between 1840 and 1847 he published two sets of pieces based on Hungarian themes under the titles Magyar Dallok and Magyar Rhapsodiak. Although these works were revised extensively in subsequent years, they are the origins of the collection we know as the Hungarian Rhapsodies. The Twelfth is one of those that he later orchestrated, which has added to its familiarity. Like the other Hungarian Rhapsodies, it is important for its expansion of keyboard technique, admirably imitating the sounds of the Gypsy band in a quasi-orchestral extravaganza that is quite remarkable on solo piano. Notes by Laurie Shulman
More music by Franz Liszt
Un Sospiro, from Trois Etudes de concert, S. 144
Tarantelle di bravura, S 386
Orage (Storm) from Book I Années de Pèlerinage: Suisse
Consolation no. 4, S.172
Consolation N° 3
Vallée d'Obermann from Book I Années de Pèlerinage: Suisse
Orage (Storm) from Book I Années de Pèlerinage: Suisse
Paraphrase on Quartet from Verdi’s “Rigoletto”
Years of Pilgrimage, First Year: Switzerland
Romance oubliée
Performances by same musician(s)
Keyboard Sonata in B-flat Major, Hob.XVI:41
Etude No.11 "Pour les arpèges composés”
Sonata in G Minor, K. 426
Sonata in G Major, K. 455
Nocturne in D-flat Major, Op. 27, No. 2
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