Mozart was venturing into new territory with this sonata, giving the violin a collaborative and integral role.Mozart’s exuberance, humor and grounding in opera are obvious influences here.The overture-like fanfare at the beginning of the Allegro vivace presents the instruments in unison, which quickly evolves into a conversation, with the violin as the antagonist pulling the music in new directions. The quick and bright trills of the G major theme are underlined by a vocal pitter-patter reminiscent of his comic operas. The Andante sostenuto movement reflects his vocal writing style, and is perhaps reminiscent of a soprano aria in his operas.In the final Rondo movement, we hear a balanced exchange of ideas between the two instruments.This highly mercurial movement is a quintessential reflection of the tensions of his operatic dramas finding relief in a final act.Akiko Kobayashi
Classical Music | Violin Music
Wolfgang Amadeus Mozart
Sonata for Violin and Piano No. 17 in C Major, K.296
PlayRecorded on 01/23/2013, uploaded on 07/08/2013
Musician's or Publisher's Notes
Mozart was venturing into new territory with this sonata, giving the violin a collaborative and integral role. Mozart’s exuberance, humor and grounding in opera are obvious influences here. The overture-like fanfare at the beginning of the Allegro vivace presents the instruments in unison, which quickly evolves into a conversation, with the violin as the antagonist pulling the music in new directions. The quick and bright trills of the G major theme are underlined by a vocal pitter-patter reminiscent of his comic operas. The Andante sostenuto movement reflects his vocal writing style, and is perhaps reminiscent of a soprano aria in his operas. In the final Rondo movement, we hear a balanced exchange of ideas between the two instruments. This highly mercurial movement is a quintessential reflection of the tensions of his operatic dramas finding relief in a final act. Akiko Kobayashi
More music by Wolfgang Amadeus Mozart
Lacrimosa from Requiem K. 626
Rondo in D Major, K. 485
Soave sia il vento, from Così fan tutte
Hostias from Requiem K.626
Sonata in D Major
Concerto No.21 Do major 2nd moviment
12 Variations in C Major on “Ah, vous dirai-je Maman” K. 265
Benedictus from Requiem K. 626
Piano Concerto 12 KV 414 (1ºmov)
Piano Sonata No. 8 in a minor, K 310
Performances by same musician(s)
Romanian Folk Dances
Liebesfreud
Classical Music for the Internet Era™
Courtesy of International Music Foundation.