Based on a poem by Ernst Schulze, the protagonist of Franz
Schubert's Über Wildemann finds himself traversing the bleak wintry
wilderness. He reflects that life would be better in the sunny valley, yet it
is there he must not go—his beloved has "locked away her heart." He equates
love with springtime and wonders if he will ever escape the icy grasp of
winter. Schubert's setting masterfully captures the austere, but wild,
landscape of Schulze's poem within the piano accompaniment. The bass, doubled
throughout in the lower octave, is mimicked by the right hand with offbeat
triplets. Often, these triplets further double the bass in the octave,
rendering the harmony even starker. At times, the right hand provides fuller
chords as an accompaniment. The vocal melody also moves in unison with the
bass, essentially making much of the song an embellishment of a monophonic
line. However, the beginning of each of the three middle stanzas, where
reference is made to love and spring, the vocal melody moves to a major key
(first, D major then A major), the bass remains stationary on a pedal tone and
the triplets of the right hand provide a full chordal harmony. However, the
bleak landscape returns in the fifth and final stanza bringing the Lied to a
desolate close.Joseph DuBose
Classical Music | Baritone
Franz Schubert
Uber Wildemann
PlayRecorded on 11/27/2007, uploaded on 03/27/2009
Musician's or Publisher's Notes
Based on a poem by Ernst Schulze, the protagonist of Franz Schubert's Über Wildemann finds himself traversing the bleak wintry wilderness. He reflects that life would be better in the sunny valley, yet it is there he must not go—his beloved has "locked away her heart." He equates love with springtime and wonders if he will ever escape the icy grasp of winter. Schubert's setting masterfully captures the austere, but wild, landscape of Schulze's poem within the piano accompaniment. The bass, doubled throughout in the lower octave, is mimicked by the right hand with offbeat triplets. Often, these triplets further double the bass in the octave, rendering the harmony even starker. At times, the right hand provides fuller chords as an accompaniment. The vocal melody also moves in unison with the bass, essentially making much of the song an embellishment of a monophonic line. However, the beginning of each of the three middle stanzas, where reference is made to love and spring, the vocal melody moves to a major key (first, D major then A major), the bass remains stationary on a pedal tone and the triplets of the right hand provide a full chordal harmony. However, the bleak landscape returns in the fifth and final stanza bringing the Lied to a desolate close. Joseph DuBose
More music by Franz Schubert
Der Wanderer an den Mond
Tränenregen, from Die schöne Müllerin
Moment musicaux, D. 780 No. 4
Erlkönig
Piano Sonata D. 958, Finale: Allegro
Sonata in B-flat Major, Op. 30, D617
Impromptu Op. 90 No. 2 in E-flat Major, D. 899
Notturno
Impromptu Op 90 N° 3
Standchen, Lieder for Flute and Piano
Performances by same musician(s)
Merke, mein Herze
Endlich wird mein Joch
Freschi luoghi, prati aulenti
Sleep
Arise, my love
Hebe
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