DeAunn Davis, Horn, Andrew Williams, Violin, Adam Marks, Piano
I. Andante; II. Scherzo; III. Adagio mesto; IV.
Allegro con brio
This
Trio comes at the end of Brahms' early chamber compositions and in many ways
looks back nostalgically to his youth. In the Adagio movement, Brahms quotes
the folk song "Dort in den Weiden
steht ein Haus" (There in the Willows Stands a House), one of his
childhood favorites, learned from his mother. There is some evidence that this
entire, deeply emotional movement was an elegy in her memory. The entire mood
and tone of the piece is evocative of nature and hunting, two of the most
important themes of the Romantic movement to which Brahms was closely allied in
his youth. Also, mainly because of the scoring and its allusions to
"occasional" rather than "serious" music, this Trio stands
somewhat apart from Brahms' other chamber works. It is unique in his output,
yet remains a deeply personal statement.
Instead of the usual sonata movement, Brahms opens the Trio with an expanded three-part
form Andante movement (ABABA) that alternates a longing and nostalgic melody
with a faster, yearning passage. The Scherzo is a rousing hunting song, full of
energy and good spirits. Introspective and deeply personal, the third movement
Adagio is in a simple ABA form, yet is complicated by Brahms' use of a fugal
exposition to present the principal material. It is in the emotionally charged
reprise that Brahms quotes the aforementioned folk song. Brahms concludes the
Trio with as light and rollicking an Allegro as he was capable of writing.
Again the horn's hunting qualities are featured, and the Trio ends in a virtuosic
tour de force for all three instruments. Fifth House Ensemble
Classical Music | Ensemble Music
Johannes Brahms
Trio in E-flat Major for Horn, Violin, and Piano Op. 40
PlayRecorded on 08/11/2010, uploaded on 01/13/2011
Musician's or Publisher's Notes
DeAunn Davis, Horn, Andrew Williams, Violin, Adam Marks, Piano
This Trio comes at the end of Brahms' early chamber compositions and in many ways looks back nostalgically to his youth. In the Adagio movement, Brahms quotes the folk song "Dort in den Weiden steht ein Haus" (There in the Willows Stands a House), one of his childhood favorites, learned from his mother. There is some evidence that this entire, deeply emotional movement was an elegy in her memory. The entire mood and tone of the piece is evocative of nature and hunting, two of the most important themes of the Romantic movement to which Brahms was closely allied in his youth. Also, mainly because of the scoring and its allusions to "occasional" rather than "serious" music, this Trio stands somewhat apart from Brahms' other chamber works. It is unique in his output, yet remains a deeply personal statement.
Instead of the usual sonata movement, Brahms opens the Trio with an expanded three-part form Andante movement (ABABA) that alternates a longing and nostalgic melody with a faster, yearning passage. The Scherzo is a rousing hunting song, full of energy and good spirits. Introspective and deeply personal, the third movement Adagio is in a simple ABA form, yet is complicated by Brahms' use of a fugal exposition to present the principal material. It is in the emotionally charged reprise that Brahms quotes the aforementioned folk song. Brahms concludes the Trio with as light and rollicking an Allegro as he was capable of writing. Again the horn's hunting qualities are featured, and the Trio ends in a virtuosic tour de force for all three instruments. Fifth House Ensemble
More music by Johannes Brahms
Variations on a Theme by Haydn
Paganini variatons
Capriccio in d minor, Op 116, No. 7, from Seven Fantasies
Schicksalslied, Op. 54
Capriccio in c-sharp minor, from Eight piano pieces, Op. 76
Intermezzo in E Major, Op. 116, No. 4, from Seven Fantasies
Piano Sonata N° 3 in F minor Op 5 (Mvt 1)
Intermezzo in A Major, from Eight piano pieces, Op. 76
Intermezzo in e minor, Op. 116, No. 5, from Seven Fantasies
Intermezzo in b minor, Op. 119, No. 1
Performances by same musician(s)
String Quartet No. 11 in f minor, Op. 95, Serioso
Flute Quartet No. 1 in D Major
Excerpts from The Catherine Wheel
Piano Quartet in E flat major, op. 47
Langsamer Satz
Trio for Piano, Oboe, and Bassoon
Clarinet Trio, Op. 114
Passacaglia, after Handel’s Suite No.7 for Harpsichord
Crisantemi
String Quartet No. 9
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