The Density of Memory (1997) for clarinets and
orchestra, also a single-movement work, treats the three solo clarinets
essentially as one complex and prominent instrument of the orchestra rather
than as three elements that are competing with each other or with the
orchestra. In short, this work is an
essay for orchestra that features a clarinet trio.
Though occasionally suggesting tonality, Density is
not in any key, and does not employ standard chords, harmonic progressions, nor
easily recognized themes or motives that we associate with traditional
compositions. Still, it is grounded in
a sonority, stated and prolonged by the strings at the very beginning, that,
like a significant memory, prevails throughout. One might sense that whatever sonic "adventures" occur, the main
sonority is not far away. In fact, it
recurs even more frequently in the last part if the work until it becomes
essentially all there is.
Classical Music | Clarinet Music
George Flynn
The Density of Memory
PlayRecorded on 01/01/2008, uploaded on 07/03/2009
Musician's or Publisher's Notes
The Density of Memory (1997) for clarinets and orchestra, also a single-movement work, treats the three solo clarinets essentially as one complex and prominent instrument of the orchestra rather than as three elements that are competing with each other or with the orchestra. In short, this work is an essay for orchestra that features a clarinet trio.
Though occasionally suggesting tonality, Density is not in any key, and does not employ standard chords, harmonic progressions, nor easily recognized themes or motives that we associate with traditional compositions. Still, it is grounded in a sonority, stated and prolonged by the strings at the very beginning, that, like a significant memory, prevails throughout. One might sense that whatever sonic "adventures" occur, the main sonority is not far away. In fact, it recurs even more frequently in the last part if the work until it becomes essentially all there is.
George Flynn
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