Winterreise (The Winter Journey), alongside the
earlier Die schöne Müllerin, is one of Schubert's great settings of
Wilhem Müller's poem cycles. Schubert set the twenty-four poems of Müller's
cycle during February and October 1827, a little less than a year before his
early death. In this sense, Winterreise forms a poignant parallel to
Schubert's own life. Surely, in setting Müller's poems, Schubert was aware that
his own life was passing into winter and he was resigning himself to that final
journey. In fact, his friends noticed Schubert's deep melancholy during the
composition of these songs. Schubert, himself, described them as "terrifying"
and Joseph von Spaun remarked that he and the others present "were dumbfounded
by [their] sombre mood" when Schubert performed them.
Müller's cycle tells the story of the poet in love. The
poet, however, secretly leaves his lover's house at night when he discovers
that her love has wandered to someone else. He leaves the town and follows the
river to another village. During his journey, he longs for death but ultimately
comes to terms with his loneliness as he wonders through the barren winter
landscape. The successive poems of the cycle describe the various people and objects
the poet encounters during his journey.
In the final song of Winterreise, the poet encounters
an old man with his hurdy-gurdy. No one listens to him or gives him money and
even the dogs bark and growl at him. Yet, the old man continues on playing taking
no notice of the things around him. The poet then begins to contemplate
accompanying the old man.
Schubert's setting begins with drone fifths that
continue throughout the entire song. An awkward melody, beginning in the third
measure, depicts the old man playing his hurdy-gurdy. The voice then enters,
singing two measures at a time with its lines separated by various statements
of the hurdy-gurdy melody. The vocal melody ends on the dominant highlighting
the poet's final question. A final statement of the hurdy-gurdy melody
concludes the song.Joseph
DuBose
Franz Schubert: Winterreise - Der Leiermann Wiebke Hoogklimmer, Contralto - Patrick Walliser, Piano live recording
Classical Music | Contralto
Franz Schubert
Der Leiermann (Winterreise)
PlayRecorded on 03/01/2003, uploaded on 06/11/2009
Musician's or Publisher's Notes
Winterreise (The Winter Journey), alongside the earlier Die schöne Müllerin, is one of Schubert's great settings of Wilhem Müller's poem cycles. Schubert set the twenty-four poems of Müller's cycle during February and October 1827, a little less than a year before his early death. In this sense, Winterreise forms a poignant parallel to Schubert's own life. Surely, in setting Müller's poems, Schubert was aware that his own life was passing into winter and he was resigning himself to that final journey. In fact, his friends noticed Schubert's deep melancholy during the composition of these songs. Schubert, himself, described them as "terrifying" and Joseph von Spaun remarked that he and the others present "were dumbfounded by [their] sombre mood" when Schubert performed them.
Müller's cycle tells the story of the poet in love. The poet, however, secretly leaves his lover's house at night when he discovers that her love has wandered to someone else. He leaves the town and follows the river to another village. During his journey, he longs for death but ultimately comes to terms with his loneliness as he wonders through the barren winter landscape. The successive poems of the cycle describe the various people and objects the poet encounters during his journey.
In the final song of Winterreise, the poet encounters an old man with his hurdy-gurdy. No one listens to him or gives him money and even the dogs bark and growl at him. Yet, the old man continues on playing taking no notice of the things around him. The poet then begins to contemplate accompanying the old man.
Schubert's setting begins with drone fifths that continue throughout the entire song. An awkward melody, beginning in the third measure, depicts the old man playing his hurdy-gurdy. The voice then enters, singing two measures at a time with its lines separated by various statements of the hurdy-gurdy melody. The vocal melody ends on the dominant highlighting the poet's final question. A final statement of the hurdy-gurdy melody concludes the song. Joseph DuBoseFranz Schubert: Winterreise - Der Leiermann
Wiebke Hoogklimmer, Contralto - Patrick Walliser, Piano
live recording
More music by Franz Schubert
Der Wanderer an den Mond
Tränenregen, from Die schöne Müllerin
Moment musicaux, D. 780 No. 4
Erlkönig
Piano Sonata D. 958, Finale: Allegro
Sonata in B-flat Major, Op. 30, D617
Impromptu Op. 90 No. 2 in E-flat Major, D. 899
Notturno
Impromptu Op 90 N° 3
Standchen, Lieder for Flute and Piano
Performances by same musician(s)
Wenn die Nachtigallen schlagen
Kornblumen und Heidekraut
Lili Boulanger: Clairières dans le ciel Nr. 7
Hör ich das Liedchen klingen, from Dichterliebe
Der Leiermann, from Winterreise
Rheinlegendchen
Der Einsame - Wiebke Hoogklimmer, Alt - Patrick Walliser, Klavier (live)
Dichterliebe - Allnächtlich im Traume seh ich Dich (Wiebke Hoogklimmer, Contralto)
Weihnachtslieder - Christkindelein, Christkindelein - Wiebke Hoogklimmer, Altstimme
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