Henri Dutilleux's reputation as a composer is founded
primarily on instrumental symphonies and orchestral pieces, although he wrote
fine pieces for almost all instruments. The Sonatine
is in three movements, each flowing without interruption into the next. In the
first, Allegretto, the theme is introduced by the piano (accompanied by the
flute playing in its lowest register), and after it is repeated by the flute,
it is presented in various keys. The effect of these thematic repeats is
further heightened by the introduction of chromatic alterations. This theme in 7/8 meter, along with its host
of rhythmic variants, has an undoubtedly Latin flavor. A flute cadenza leads to
a short, expressively intoned Andante, which in turn flows into a Finale (Animé) that most closely resembles a
rondo form. The Finale's B section, vaguely reminiscent of a farandole (a French provincial dance),
is gradually transformed into a dark, sextuplet passage marked mystérieux that races in virtuoso
fashion to a close.
The
Sonatine was written as the 1943
examination piece at the Conservatoire Nacional. The official premiere was
performed by Gaston Crunelle on the flute, accompanied by the composer at the
piano, on January 17, 1944 in the Tryptique. Jessica Warren-Acosta
Classical Music | Music for Flute
Henri Dutilleux
Sonatine
PlayRecorded on 08/26/2009, uploaded on 12/28/2009
Musician's or Publisher's Notes
Sonatine Henri Dutilleux
Henri Dutilleux's reputation as a composer is founded primarily on instrumental symphonies and orchestral pieces, although he wrote fine pieces for almost all instruments. The Sonatine is in three movements, each flowing without interruption into the next. In the first, Allegretto, the theme is introduced by the piano (accompanied by the flute playing in its lowest register), and after it is repeated by the flute, it is presented in various keys. The effect of these thematic repeats is further heightened by the introduction of chromatic alterations. This theme in 7/8 meter, along with its host of rhythmic variants, has an undoubtedly Latin flavor. A flute cadenza leads to a short, expressively intoned Andante, which in turn flows into a Finale (Animé) that most closely resembles a rondo form. The Finale's B section, vaguely reminiscent of a farandole (a French provincial dance), is gradually transformed into a dark, sextuplet passage marked mystérieux that races in virtuoso fashion to a close.
The Sonatine was written as the 1943 examination piece at the Conservatoire Nacional. The official premiere was performed by Gaston Crunelle on the flute, accompanied by the composer at the piano, on January 17, 1944 in the Tryptique. Jessica Warren-Acosta
More music by Henri Dutilleux
Piano Sonata: Choral Et Variations
Métaboles
String Quartet Ainsi la nuit
Timbres, espace, mouvement, ou La Nuit étoilée
String Quartet Ainsi la nuit
String Quartet Ainsi la nuit
Sonatine for Flute and Piano
Performances by same musician(s)
Carmen Fantasy on Themes from Georges Bizet’s Opera
Fantasy on Der Freischutz by Weber
Morceau de Concours
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