In this recital program, we see how early 20th Century Russian
composers influenced the music of American composers of the mid-late 20th
Century.
Embraceable You George
Gershwin (arr. Earl Wild)
Toccata George Antheil
The last two works, the Wild
and the Antheil, appear to meld together the musical worlds of Russia and the U.S. Earl Wild is
one of the great American pianists of the 20th Century. Here is his version of a Gershwin songtranscribed as though by Rachmaninoff,
full of virtuosic figuration and lush, jazzy sonorities. George Antheil, an American who found his way
to Paris, idolized Stravinsky and included among his friends
Ernest Hemingway, Man Ray, and James Joyce.
In his Toccata (1948), he combines the percussiveness of Stravinsky or
Prokofiev with the open-sounding harmony of his American contemporary, Aaron
Copland.
An interesting side note regarding Antheil
Evidently his playing was so
percussive and harsh that audiences tired quickly when listening to him and
became restless. In order to keep his
audience quiet, he was sometimes known to pull out a revolver and leave it on
the piano for the whole of the recital! Gideon Rubin
Classical Music | Piano Music
George Antheil
Toccata
PlayRecorded on 10/30/2007, uploaded on 01/22/2009
Musician's or Publisher's Notes
In this recital program, we see how early 20th Century Russian composers influenced the music of American composers of the mid-late 20th Century.
Embraceable You George Gershwin (arr. Earl Wild)
Toccata George Antheil
The last two works, the Wild and the Antheil, appear to meld together the musical worlds of Russia and the U.S. Earl Wild is one of the great American pianists of the 20th Century. Here is his version of a Gershwin songtranscribed as though by Rachmaninoff, full of virtuosic figuration and lush, jazzy sonorities. George Antheil, an American who found his way to Paris, idolized Stravinsky and included among his friends Ernest Hemingway, Man Ray, and James Joyce. In his Toccata (1948), he combines the percussiveness of Stravinsky or Prokofiev with the open-sounding harmony of his American contemporary, Aaron Copland.
An interesting side note regarding Antheil
Evidently his playing was so percussive and harsh that audiences tired quickly when listening to him and became restless. In order to keep his audience quiet, he was sometimes known to pull out a revolver and leave it on the piano for the whole of the recital! Gideon Rubin
Performances by same musician(s)
Danse Russe, from Petrushka
Embraceable You
Mad Rush
Etude-Tableaux, Op, 39, No. 8 in d minor
Lullaby, from Before Sleep and Dreams
Etude-Tableaux, Op, 39, No. 5 in e-flat minor
Etude-Tableaux, Op, 39, No. 6 in a minor
Classical Music for the Internet Era™
Courtesy of International Music Foundation.