Piano Sonata No.2 in B-flat minor, Op.36, 1913 version SergeiRachmaninoff
Rachmaninoff’s Second Piano Sonata in B flat minor, Op. 36, in its original form makes heavy technical demands on the performer and includes extended passages of virtuoso piano-writing. The first version, completed in 1913, offers a stormy first subject and a gentler second in a dotted rhythm that had already assumed importance in the Opus 32 Preludes. A brief linking passage introduces a central slow movement, integrated into the whole structure, and similarly linked to a final stormy Allegro molto in B flat major.
The first movement opens with a bold assertion of the key of B flat minor and a descending fragment of melody which will soon appear transformed into the major tonality. There is a transition using characteristic dotted rhythms, followed after a short cadenza by the second subject, a gentle D flat major theme in a dotted compound rhythm almost suggesting a siciliano. There is a tenderly descending modulation to open the second movement. A place is found in what follows for reminiscences of the first movement, with the descending melodic figure of its first subject and an allusion to the gentler secondary theme.Jingjing Wang
Classical Music | Piano Music
Sergei Rachmaninov
Sonata No. 2 in b-flat minor, Op. 36
PlayRecorded on 12/26/2012, uploaded on 05/02/2013
Musician's or Publisher's Notes
Piano Sonata No.2 in B-flat minor, Op.36, 1913 version SergeiRachmaninoff
Rachmaninoff’s Second Piano Sonata in B flat minor, Op. 36, in its original form makes heavy technical demands on the performer and includes extended passages of virtuoso piano-writing. The first version, completed in 1913, offers a stormy first subject and a gentler second in a dotted rhythm that had already assumed importance in the Opus 32 Preludes. A brief linking passage introduces a central slow movement, integrated into the whole structure, and similarly linked to a final stormy Allegro molto in B flat major.
The first movement opens with a bold assertion of the key of B flat minor and a descending fragment of melody which will soon appear transformed into the major tonality. There is a transition using characteristic dotted rhythms, followed after a short cadenza by the second subject, a gentle D flat major theme in a dotted compound rhythm almost suggesting a siciliano. There is a tenderly descending modulation to open the second movement. A place is found in what follows for reminiscences of the first movement, with the descending melodic figure of its first subject and an allusion to the gentler secondary theme. Jingjing Wang
More music by Sergei Rachmaninov
Romance, Op. 11 No. 5
Prelude Op. 3, No. 2, in c-sharp minor
Prelude Op. 32, No. 5, in G Major
Etude-Tableau in A minor, Op. 39, No. 6
Loneliness, Op. 21 No. 6
Prelude Op. 23 No. 5
Moment Musicaux Op. 16, No. 3
Prelude Op. 23, No. 10, in G-flat Major
Serenade, Op. 3
Moment Musicaux Op. 16, No. 4
Performances by same musician(s)
Sonata in f minor, K. 466, L. 380
Nocturne Op.9, No.3
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