Today's concert is a tribute to the artistry of Dame
Myra Hess in that it presents repertoire which she performed frequently, and it
is given by a pianist who admires that artistry greatly.
When listening to Myra Hess's piano performances, one
can think of the contrasts represented by Apollo and Dionysius or Eusebius and
Florestan. Her sound was rich. Her
performances were full of temperament, yet with full attention to clarity of texture
and structure. Her concentration as
well as her personality was intense and passionate, yet spiritual and stoic. She was born and raised in a Jewish family,
yet as an artist she was known as a champion of German and Austrian
repertoire. Throughout her life she
transformed herself into a persona whose artistry broke the boundaries of
politics and spirituality.
She was born in London in 1890. Soon her precocious musical talents were
noticed. At an early age she was giving
recitals with great success. In 1903 she met with one of the great masters in
piano pedagogy, Tobias Matthay. He
became like a second father, musically and spiritually. His concept of free weight to make rich
sonority and the idea of a strong rhythmic foundation would become two of the
trademarks in Myra Hess's performance style.
During the Second World War, Myra Hess established a
series of midday recitals. Throughout
the war, the music of Mozart, Beethoven, Schumann, Scarlatti, Brahms and many
others was heard at the National Gallery in London, accompanied by bombs and the
sounds of war. She provided defiance
and hope to the nation with her music.
Her temperament, her intellect, her passionate
outbursts, her intimacy, all of these
qualities in her performances were revered by the great musicians of the time such
as Toscanini, Pablo Casals, Sir Adrian Boult, and Sir Thomas Beecham, to name a
few. She was adored in the United Sates during her many tours. As pianist, Myra
Hess was at ease with the wonderful romantic works. She was also a champion in
the Baroque and Classical style for clarity, line, rhythm, structure and pathos,
with a particular affinity for the Italo-Iberian composer Domenico Scarlatti.
... This composition is preceded on the program
today by two sonatas of Baroque composer Domenico Scarlatti. Elements of dances, with brilliant rhythmic
delineations, are found in these "esercizi sonate".
Dame Myra Hess died in 1965, but her legacy continues
to this day, through her many pupils, through her magnificent recordings, and through
her art and entire persona. Carlos César Rodríguez
Classical Music | Piano Music
Domenico Scarlatti
Sonata in G Major, K. 14
PlayRecorded on 06/20/2006, uploaded on 01/13/2009
Musician's or Publisher's Notes
Sonata in G Major, K. 14 Domenico Scarlatti
Today's concert is a tribute to the artistry of Dame Myra Hess in that it presents repertoire which she performed frequently, and it is given by a pianist who admires that artistry greatly.
When listening to Myra Hess's piano performances, one can think of the contrasts represented by Apollo and Dionysius or Eusebius and Florestan. Her sound was rich. Her performances were full of temperament, yet with full attention to clarity of texture and structure. Her concentration as well as her personality was intense and passionate, yet spiritual and stoic. She was born and raised in a Jewish family, yet as an artist she was known as a champion of German and Austrian repertoire. Throughout her life she transformed herself into a persona whose artistry broke the boundaries of politics and spirituality.
She was born in London in 1890. Soon her precocious musical talents were noticed. At an early age she was giving recitals with great success. In 1903 she met with one of the great masters in piano pedagogy, Tobias Matthay. He became like a second father, musically and spiritually. His concept of free weight to make rich sonority and the idea of a strong rhythmic foundation would become two of the trademarks in Myra Hess's performance style.
During the Second World War, Myra Hess established a series of midday recitals. Throughout the war, the music of Mozart, Beethoven, Schumann, Scarlatti, Brahms and many others was heard at the National Gallery in London, accompanied by bombs and the sounds of war. She provided defiance and hope to the nation with her music.
Her temperament, her intellect, her passionate outbursts, her intimacy, all of these qualities in her performances were revered by the great musicians of the time such as Toscanini, Pablo Casals, Sir Adrian Boult, and Sir Thomas Beecham, to name a few. She was adored in the United Sates during her many tours. As pianist, Myra Hess was at ease with the wonderful romantic works. She was also a champion in the Baroque and Classical style for clarity, line, rhythm, structure and pathos, with a particular affinity for the Italo-Iberian composer Domenico Scarlatti.
... This composition is preceded on the program today by two sonatas of Baroque composer Domenico Scarlatti. Elements of dances, with brilliant rhythmic delineations, are found in these "esercizi sonate".
Dame Myra Hess died in 1965, but her legacy continues to this day, through her many pupils, through her magnificent recordings, and through her art and entire persona. Carlos César Rodríguez
More music by Domenico Scarlatti
Sonata
Sonata K. 391
Sonata K. 87
Sonata in E minor L.22 K.198
Sonata in D Major, K. 492
Sonata in b minor, K. 27, L. 449
Sonata in e minor, K. 98
Sonata in B minor L.33 K.87
Sonata K. 159
Sonata in D major, K. 119
Performances by same musician(s)
Carnaval, Op. 9
Romance in F-sharp Major, Op. 28, No. 2
Sonata in f minor, K. 11
Ride of the Walküre, from Die Walküre
Mazeppa, from Etudes d’exécution transcendante, No. 4
Ein Albumblatt für das Klavier
Liebestod, from Tristan und Isolde
Au bord d’une source, from Années de pèlerinage, Suisse
Nuages gris
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