Scriabin was
considered an eccentric during his youth, and later became obsessed with
synesthesia, associating pitches with specific colors. He had an affinity for Chopin, and thus his
early style blended lush Chopinesque harmonies with Lisztian virtuosity...
The b minor
Fantasy uses the piano in all its dynamic range. Here is Scriabin already exploring the colors
of the instrument. After the opening
march-like theme, the second theme soars with a heart-breaking melody, which
culminates in the restatement of the lyrical second theme in this passionate
and tempestuous work. Soyeon Lee
Classical Music | Piano Music
Alexander Scriabin
Fantasy in b minor, Op. 28 Play
Recorded on 12/19/2006, uploaded on 01/17/2009
Musician's or Publisher's Notes
Fantasy in b minor, Op. 28 Alexander Scriabin
Scriabin was considered an eccentric during his youth, and later became obsessed with synesthesia, associating pitches with specific colors. He had an affinity for Chopin, and thus his early style blended lush Chopinesque harmonies with Lisztian virtuosity...
The b minor Fantasy uses the piano in all its dynamic range. Here is Scriabin already exploring the colors of the instrument. After the opening march-like theme, the second theme soars with a heart-breaking melody, which culminates in the restatement of the lyrical second theme in this passionate and tempestuous work. Soyeon Lee
More music by Alexander Scriabin
Etude No. 12 in d-sharp minor Op. 8
Prelude Op 11 N° 4
Prelude Op 16 N° 4
Etude No. 12 in d-sharp minor, Op. 8
"Three Etudes" op. 65, no.3
Prelude Op.11, No.1
Étude in C-sharp minor, Op. 2, No. 1
Prelude Op.11, No.14
Etude in c-sharp minor, Op. 2, No. 1
Étude Op 2 N° 1
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Paraphrase from Gounod’s Faust
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Etude in c-sharp minor, Op. 2, No. 1
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La Valse
Evocación, from Iberia, Book I
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Evocación, from Iberia, Book I
El puerto, from Iberia, Book I
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