Composed during Tchaikovsky’s final year, the 18 Morceaux, op. 72 are a collection of the composer’s most intimate piano miniatures, some perhaps born of the melodic shards leftover from the creation of the powerful Pathétique Symphony which he was also working on at the time. A varied collection, the eighteen pieces of opus 72 encompass a range of styles and emotions, and even contains homages to two other famous composers of piano music—Robert Schumann and Frederic Chopin.
The fifth piece, Méditation, is a tender and charming piece in D major. Its beautiful and lyrical melody sits atop a simple chordal accompaniment. However, on its second appearance a yearning chromatic line, set in a duple rhythm that conflicts with the melody’s compound meter, appears in the inner voices. Slowly, the duple-rhythm motif becomes more and more prominent, eventually usurping for itself the role of melody, and drives the piece towards its climax. With a dramatic ebb and flow, Tchaikovsky reaches a summit of operatic intensity accompanied by sweeping arpeggios and brilliant scales. Returning to its former contentment, the piece evaporates away in its closing bars with a series of trills ascending along the tonic triad as gently rolled chords punctuate its end.Joseph DuBose
Recorded during Round 1 of the Tchaikovsky Internationial Competition, Moscow 2011
Classical Music | Piano Music
Pyotr Ilyich Tchaikovsky
Meditation, from 18 Pieces, Op.72
PlayRecorded on 06/10/2011, uploaded on 07/10/2011
Musician's or Publisher's Notes
Composed during Tchaikovsky’s final year, the 18 Morceaux, op. 72 are a collection of the composer’s most intimate piano miniatures, some perhaps born of the melodic shards leftover from the creation of the powerful Pathétique Symphony which he was also working on at the time. A varied collection, the eighteen pieces of opus 72 encompass a range of styles and emotions, and even contains homages to two other famous composers of piano music—Robert Schumann and Frederic Chopin.
The fifth piece, Méditation, is a tender and charming piece in D major. Its beautiful and lyrical melody sits atop a simple chordal accompaniment. However, on its second appearance a yearning chromatic line, set in a duple rhythm that conflicts with the melody’s compound meter, appears in the inner voices. Slowly, the duple-rhythm motif becomes more and more prominent, eventually usurping for itself the role of melody, and drives the piece towards its climax. With a dramatic ebb and flow, Tchaikovsky reaches a summit of operatic intensity accompanied by sweeping arpeggios and brilliant scales. Returning to its former contentment, the piece evaporates away in its closing bars with a series of trills ascending along the tonic triad as gently rolled chords punctuate its end. Joseph DuBose
Recorded during Round 1 of the Tchaikovsky Internationial Competition, Moscow 2011
More music by Pyotr Ilyich Tchaikovsky
Russian Dance, from 12 Pieces, Op. 40, No. 10
Valse-Scherzo in C Major
Dumka, Op. 59
Melodie, Op. 42, No. 3
The Nutcracker Suite
Hermann's arioso ("Forgive me..."), Scene 2, The Queen of Spades
Piano Concerto No. 1 in b-flat minor, Op. 23
Violin Concerto
String Sextet in D minor, Op. 70 "Souvenir de Florence"
Romeo and Juliet
Performances by same musician(s)
Russian Dance, from 12 Pieces, Op. 40, No. 10
Piano Sonata No. 8 in a minor, K 310
Etude Op. 25, No. 2 in F minor
Liebesträume No. 3 in A-flat Major (Dreams of Love)
Etude Op. 25, No. 1 in A-flat major
Sonata No. 7 in B-flat Major, Op. 83
Etude Op. 25, No. 12 in c minor
Hungarian Rhapsody No. 6 in D-flat Major
Aufschwung (Rapture), from Fantasiestücke, Op 12
Toccata in C Major, Op. 7
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