Like
many other musicians in the 18th and 19th centuries, Jan Hugo Voříšek
(1791-1826) left his native Bohemia to seek greater professional opportunities
abroad. He settled in Vienna, where he
found employment as court organist. As
a composer, he achieved a good deal of success during his lifetime. He can be
credited with being one of the first-if not simply the first-composers to write
lyrical piano pieces called "impromptus," preceding Schubert in this
genre. His Fantaisie Op. 12 begins in
an improvisational style, a skill in which Voříšek showed great ability. The
two movements of this work differ on many levels: for instance, the first
movement, in C Major, is slow with frequent shifts in rhythmic pace, creating
an atmosphere between lingering and meandering. In contrast, the second
movement is in c minor, with an unrelenting rhythmic drive, like a perpetual
motion. While the first movement is free of any preconceived form, the second
is formally strict. The Fantaisie offers
an appealing balance between reflection and brilliance, and deserves a place
among the concert repertoire. David Gross
Classical Music | Piano Music
Jan Václav Voříšek
Fantaisie in C, Op. 12
PlayRecorded on 09/27/2005, uploaded on 01/12/2009
Musician's or Publisher's Notes
Fantaisie in C, Op. 12 Jan Václav Voříšek
Andante; Allegro con brio
Like many other musicians in the 18th and 19th centuries, Jan Hugo Voříšek (1791-1826) left his native Bohemia to seek greater professional opportunities abroad. He settled in Vienna, where he found employment as court organist. As a composer, he achieved a good deal of success during his lifetime. He can be credited with being one of the first-if not simply the first-composers to write lyrical piano pieces called "impromptus," preceding Schubert in this genre. His Fantaisie Op. 12 begins in an improvisational style, a skill in which Voříšek showed great ability. The two movements of this work differ on many levels: for instance, the first movement, in C Major, is slow with frequent shifts in rhythmic pace, creating an atmosphere between lingering and meandering. In contrast, the second movement is in c minor, with an unrelenting rhythmic drive, like a perpetual motion. While the first movement is free of any preconceived form, the second is formally strict. The Fantaisie offers an appealing balance between reflection and brilliance, and deserves a place among the concert repertoire. David Gross
More music by Jan Václav Voříšek
Symphony in D Major
Vorisek: Mass in B-Flat
Performances by same musician(s)
La Fête des paysans bohémiens, from Rêves (Dreams)
Sonata No. 13 Op. 27, No. 1 in E-flat Major, "Quasi una Fantasia"
On This Island
Mädchenblumen, Op. 22
En Bohême, Scène champêtre, from Rêves (Dreams)
Cinq melodies “de Venise”, Op. 58
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