Francis Poulenc was the youngest of the French composers who belonged to the “group of six.” The group was against “Wagnerism” and impressionism, and was striving for new simplicity with a strong jazz influence. He destroyed two violin sonatas before he completed this one in 1943 for a young violinist, Ginette Neveu, who lost her life in a plane crash in 1949. Poulenc revised the piece in the year of her death. The sonata is dedicated to a Spanish poet Federico Garcia Lorca who was shot by Fascist Falangists shortly after the outbreak of civil war in his country.
The piece opens with a fast Allegro con fuoco that is followed by one of the most beautiful and lyrical slow movements, Intermezzo. It is headed by a quotation from Garcia Lorca: ‘The guitar makes dreams weep.’ The last movement carries an uncommon indication: Presto tragico. It starts with a very fast beat, brings us to a lyrical theme, and inevitably drives us to a tragic ending where we completely lose the sense of tonality and have a feeling that life was suddenly interrupted. Only at the very end does Poulenc bring us back to the original key of the piece. Guy Figer
Classical Music | Music for Duo
Francis Poulenc
Violin Sonata, FP 119
PlayRecorded on 01/12/2011, uploaded on 07/05/2011
Musician's or Publisher's Notes
Francis Poulenc was the youngest of the French composers who belonged to the “group of six.” The group was against “Wagnerism” and impressionism, and was striving for new simplicity with a strong jazz influence. He destroyed two violin sonatas before he completed this one in 1943 for a young violinist, Ginette Neveu, who lost her life in a plane crash in 1949. Poulenc revised the piece in the year of her death. The sonata is dedicated to a Spanish poet Federico Garcia Lorca who was shot by Fascist Falangists shortly after the outbreak of civil war in his country.
The piece opens with a fast Allegro con fuoco that is followed by one of the most beautiful and lyrical slow movements, Intermezzo. It is headed by a quotation from Garcia Lorca: ‘The guitar makes dreams weep.’ The last movement carries an uncommon indication: Presto tragico. It starts with a very fast beat, brings us to a lyrical theme, and inevitably drives us to a tragic ending where we completely lose the sense of tonality and have a feeling that life was suddenly interrupted. Only at the very end does Poulenc bring us back to the original key of the piece. Guy Figer
More music by Francis Poulenc
Sonata for Flute and Piano
Sonata for Cello and Piano
Hommage à Edith Piaf
Mon cadavre est doux comme un gant, from Fiançailles pour rire
Les soirées de Nazelles
Fiançailles pour Rire
Les chemins de l'amour
Concerto for Two Pianos and Orchestra
Piano Concerto in C sharp minor, FP 146
Three Novelettes for piano
Performances by same musician(s)
Prelude, from Five Pieces for Violin and Piano
Moto perpetuo, from Five Pieces for Violin and Piano, Op. 84
Nicht schnell (III), from Three Romances, Op. 22
Aubade, from Five Pieces for Violin and Piano, Op. 84
Waltz, from Five Pieces for Violin and Piano, Op. 84
Ballade, from Five Pieces for Violin and Piano, Op. 84
Five Pieces for Violin and Piano, Op. 84
Einfach, innig, from Three Romances, Op. 22
Nicht schnel (I), from Three Romances, Op. 22
Three Romances, Op. 22
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