Goethe's Jägers Abendlied ("The Hunter's Evening
Song"), written in 1775 or 1776, depicts the restless love of a hunter. As he
creeps silently through the fields, he sees the image of his beloved before him
and wonders if he, too, appears to her. He is distraught that he was forced to
leave her and wander the wild world, but he finds peace in her image.
Franz Schubert set Goethe's poem, minus the third stanza, in
1816. The beginning of the vocal melody imitates the hunting horn with its
opening leap upward from dominant to tonic and the triadic motion that follows.
The accompaniment, on the other hand, captures the agitation of the hunter in
its rising chromatic figure. During the latter half of each stanza, the vocal
melody becomes more lyrical, moving largely by stepwise motion, and the
accompaniment settles down to mere repeated chords. However, the agitation does
not completely disappear. The earlier chromatic figure is transferred to the
bass in a subtle, though poignant, transformation.Joseph
DuBose
Classical Music | Baritone
Franz Schubert
Jägers Abendlied
PlayRecorded on 09/10/2010, uploaded on 11/14/2010
Musician's or Publisher's Notes
Goethe's Jägers Abendlied ("The Hunter's Evening Song"), written in 1775 or 1776, depicts the restless love of a hunter. As he creeps silently through the fields, he sees the image of his beloved before him and wonders if he, too, appears to her. He is distraught that he was forced to leave her and wander the wild world, but he finds peace in her image.
Franz Schubert set Goethe's poem, minus the third stanza, in 1816. The beginning of the vocal melody imitates the hunting horn with its opening leap upward from dominant to tonic and the triadic motion that follows. The accompaniment, on the other hand, captures the agitation of the hunter in its rising chromatic figure. During the latter half of each stanza, the vocal melody becomes more lyrical, moving largely by stepwise motion, and the accompaniment settles down to mere repeated chords. However, the agitation does not completely disappear. The earlier chromatic figure is transferred to the bass in a subtle, though poignant, transformation. Joseph DuBose
More music by Franz Schubert
Der Wanderer an den Mond
Tränenregen, from Die schöne Müllerin
Moment musicaux, D. 780 No. 4
Erlkönig
Piano Sonata D. 958, Finale: Allegro
Sonata in B-flat Major, Op. 30, D617
Impromptu Op. 90 No. 2 in E-flat Major, D. 899
Notturno
Impromptu Op 90 N° 3
Standchen, Lieder for Flute and Piano
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Sebben crudele
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C'est force faire le vueil
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O bellissimi capelli
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