Published in 1838 by Casa Ricordi as part of Tre ariette inedite, Vincenzo Bellini’s “Vaga luna, che inargenti” (“Beautiful moon, dappling with silver”) is a simple but spellbinding song likely composed during 1820s while the composer was in Naples and Milan. Based on an anonymous text, it is one of his best known creations for solo voice, frequently appearing on both recitals and recordings, and was included in a collection of fifteen songs (Composizioni da Camera) published by Ricordi during the centenary of Bellini’s death in 1935.
The song’s text, invoking the air of the nocturne, is a poet’s passionate confiding in the secrecy of a moonlit night. The poet, gazing up at the moon, longs to be with his beloved and his heart burns with an ardent hope to be reunited with her soon. He confesses his feelings to the moon and implores it to carry them to her, knowing that she, too, will be looking up at the same night sky. In an aptly chosen A-flat major, the piano establishes the simple but effective accompaniment that prevails throughout the song. A gentle accompaniment of broken chords, supported by a firm bass line, creates the nocturnal mood over which the voice utters the poet’s amorous words. The vocal melody flows effortlessly, in utter simplicity and without adornment, calling on a singer’s prowess to create the necessary drama and emotional inflections to give life to both the text and music. Joseph DuBose
Classical Music | Soprano
Vincenzo Bellini
Vaga luna, che inargenti
PlayRecorded on 01/31/2006, uploaded on 01/08/2009
Musician's or Publisher's Notes
Published in 1838 by Casa Ricordi as part of Tre ariette inedite, Vincenzo Bellini’s “Vaga luna, che inargenti” (“Beautiful moon, dappling with silver”) is a simple but spellbinding song likely composed during 1820s while the composer was in Naples and Milan. Based on an anonymous text, it is one of his best known creations for solo voice, frequently appearing on both recitals and recordings, and was included in a collection of fifteen songs (Composizioni da Camera) published by Ricordi during the centenary of Bellini’s death in 1935.
The song’s text, invoking the air of the nocturne, is a poet’s passionate confiding in the secrecy of a moonlit night. The poet, gazing up at the moon, longs to be with his beloved and his heart burns with an ardent hope to be reunited with her soon. He confesses his feelings to the moon and implores it to carry them to her, knowing that she, too, will be looking up at the same night sky. In an aptly chosen A-flat major, the piano establishes the simple but effective accompaniment that prevails throughout the song. A gentle accompaniment of broken chords, supported by a firm bass line, creates the nocturnal mood over which the voice utters the poet’s amorous words. The vocal melody flows effortlessly, in utter simplicity and without adornment, calling on a singer’s prowess to create the necessary drama and emotional inflections to give life to both the text and music. Joseph DuBose
Vaga luna, che inargenti (Anonymous)
Lovely moon, you who shed silver light
On these shores and on these flowers
And breathe the language
Of love to the elements,
You are now the sole witness
Of my ardent longing,
And can recount my throbs and sighs
To her who fills me with love.
Tell her too that distance
Cannot assuage my grief,
That if I cherish a hope,
It is only for the future.
Tell her that, day and night,
I count the hours of sorrow,
That a flattering hope
Comforts me in my love.
More music by Vincenzo Bellini
Casta Diva, from Norma
A Te, O Cara, from Act I of I Puritani
Ah! Per sempre io ti perdei, from I Puritani
Malinconia, Ninfa gentile
Care compaggne, et voi, teneri amici and Come per me sereno, from La Sonnambula
Mira, o Norma, from Act II of Norma
la sonnambula
Il Pirata, final scene
Ma di l'amato giovane, from Norma
A te, o cara, from I puritani
Performances by same musician(s)
Apparition, from Quatre chansons de jeunesse
Pantomime, from Quatre chansons de jeunesse
If you were Coming in the Fall, The Faces of Love (Dickinson)
As Well as Jesus?, The Faces of Love (Dickinson)
At Last, to be Identified, The Faces of Love (Dickinson)
I Shall not Live in Vain, The Faces of Love (Dickinson)
L’invito
La Promessa
Malinconia, Ninfa gentile
Claire de lune, from Quatre chansons de jeunesse
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Courtesy of International Music Foundation.