On the centenary of Vincenzo Bellini’s death in 1935, Ricordi published a collection of fifteen songs by the composer titled Composizioni da Camera. Among those included were the Sei Ariette, which had previous been published by Ricordi in 1829. These six songs, composed in Bellini’s typical melancholic style and organized according to alternating major and minor keys, were composed while he was enjoying the success of his opera Il pirata at La Scala. Though the songs were forced to exist in the shadow of that work, they nevertheless helped aid the composer’s spreading fame.
First among the Sei Ariette is “Malinconia, ninfa gentile” (“Melancholy, gentle nymph”), a dramatic song which aptly sets the tone for the collection. The song’s text, a brief two stanza poem, was written by Ippolito Pindemonte, an aristocratic Italian poet of the late 18th and early 19th century. The piano accompaniment is rushing, like the murmuring of streams and fountains suggested by the text’s pastoral setting. It eloquently provides the dramatic background for the text, sounding something like a piano reduction of a full operatic setting, yet not obstructing the voice as the main vehicle of expressing the poet’s emotions. The vocal melody, on the other hand, is pressing and earnest and eventually soars to a dramatic climax before receding quietly into the song’s close.Joseph DuBose
Classical Music | Soprano
Vincenzo Bellini
Malinconia, Ninfa gentile
PlayRecorded on 01/31/2006, uploaded on 01/19/2009
Musician's or Publisher's Notes
On the centenary of Vincenzo Bellini’s death in 1935, Ricordi published a collection of fifteen songs by the composer titled Composizioni da Camera. Among those included were the Sei Ariette, which had previous been published by Ricordi in 1829. These six songs, composed in Bellini’s typical melancholic style and organized according to alternating major and minor keys, were composed while he was enjoying the success of his opera Il pirata at La Scala. Though the songs were forced to exist in the shadow of that work, they nevertheless helped aid the composer’s spreading fame.
First among the Sei Ariette is “Malinconia, ninfa gentile” (“Melancholy, gentle nymph”), a dramatic song which aptly sets the tone for the collection. The song’s text, a brief two stanza poem, was written by Ippolito Pindemonte, an aristocratic Italian poet of the late 18th and early 19th century. The piano accompaniment is rushing, like the murmuring of streams and fountains suggested by the text’s pastoral setting. It eloquently provides the dramatic background for the text, sounding something like a piano reduction of a full operatic setting, yet not obstructing the voice as the main vehicle of expressing the poet’s emotions. The vocal melody, on the other hand, is pressing and earnest and eventually soars to a dramatic climax before receding quietly into the song’s close. Joseph DuBose
Malinconia, Ninfa gentile Vincenzo Bellini
Malinconia, Ninfa gentile (Ippolito Pindemonte)
Melancholy, gentle nymph,
I devote my life to you.
One who despises your pleasures
Is not born to true pleasures.
I asked the gods for fountains and hills;
They heard me at last; I will live satisfied
Even though, with my desires, I never
Go beyond that fountain and that mountain.
More music by Vincenzo Bellini
Casta Diva, from Norma
A Te, O Cara, from Act I of I Puritani
Ah! Per sempre io ti perdei, from I Puritani
Vaga luna, che inargenti
Care compaggne, et voi, teneri amici and Come per me sereno, from La Sonnambula
Mira, o Norma, from Act II of Norma
la sonnambula
Il Pirata, final scene
Ma di l'amato giovane, from Norma
A te, o cara, from I puritani
Performances by same musician(s)
Apparition, from Quatre chansons de jeunesse
Pantomime, from Quatre chansons de jeunesse
If you were Coming in the Fall, The Faces of Love (Dickinson)
As Well as Jesus?, The Faces of Love (Dickinson)
At Last, to be Identified, The Faces of Love (Dickinson)
I Shall not Live in Vain, The Faces of Love (Dickinson)
L’invito
La Promessa
Vaga luna, che inargenti
Claire de lune, from Quatre chansons de jeunesse
Classical Music for the Internet Era™
Courtesy of International Music Foundation.