I. Prelude and Fugue; II. Theme and Variations; III. Sonata
The
Trio was written in 1926, and was awarded the National Music Prize by the Spanish State.
The work is dedicated to Her Royal Highness the Infanta
Isabel de Borbón. This is the first of four
trios Turina wrote and is completely classical in form with three
movements.
The
first movement opens with
a slow introduction in which the violin and cello
present first a melancholy descending passage, followed by the dotted rhythm of
the piano. The Prelude ends with violin and cello once more, before the
brighter mood of the fugue, its contrapuntal texture largely concealed in the
more elaborate piano writing. The theme
of the 2nd movement is entrusted first to the cello, joined by the violin,
with a chordal
accompaniment from the piano. The Spanish character of the material is apparent
in the first variation that starts a series of further variations
based on Spanish dance rhythms. The last movement offers a variety of thematic
material leading to a contrasting second theme. The first lilting theme
provides a frame work for other material including reminiscences of the fugal
theme of the first movement and a final return to the opening of the first
movement. The Lincoln Trio
Classical Music | Music for Trio
Joaquin Turina
Trio No. 1 Op. 35
PlayRecorded on 07/17/2007, uploaded on 01/27/2009
Musician's or Publisher's Notes
Trio No.1 Op. 35 Joaquin Turina
I. Prelude and Fugue; II. Theme and Variations; III. Sonata
The Trio was written in 1926, and was awarded the National Music Prize by the Spanish State. The work is dedicated to Her Royal Highness the Infanta Isabel de Borbón. This is the first of four trios Turina wrote and is completely classical in form with three movements.
The first movement opens with a slow introduction in which the violin and cello present first a melancholy descending passage, followed by the dotted rhythm of the piano. The Prelude ends with violin and cello once more, before the brighter mood of the fugue, its contrapuntal texture largely concealed in the more elaborate piano writing. The theme of the 2nd movement is entrusted first to the cello, joined by the violin, with a chordal accompaniment from the piano. The Spanish character of the material is apparent in the first variation that starts a series of further variations based on Spanish dance rhythms. The last movement offers a variety of thematic material leading to a contrasting second theme. The first lilting theme provides a frame work for other material including reminiscences of the fugal theme of the first movement and a final return to the opening of the first movement. The Lincoln Trio
More music by Joaquin Turina
Rafaga op.53
Scène Andalouse op.7 per viola, pianoforte e archi - I mov
Scène Andalouse op.7 per viola, pianoforte e archi - II mov
Trio No. 2 in b minor, Op. 76
Sonata spagnola per violino e pianoforte
Fandanguillo
Las locas por amor
Violin Sonata No.1, Op. 51
Dedicatoria, from Poema en forma de canciones, Op. 19
Performances by same musician(s)
Piano Trio, Op. 11
Moon Jig
Otoño Porteño (Autumn), The Four Seasons of Buenos Aires
Verano Porteño (Summer), The Four Seasons of Buenos Aires
Life Cylce, from Trio for Violin, Cello, and Piano
Après un Rêve
Piano Trio in G minor, Op.15
Fiery Red for Piano Trio
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