"Can music reflect colors and can colors be reflected in music? I have always been fascinated with the connection between painting and music. In my composing, I often picture colors as if I were spreading them on a canvas, except I do so with melodies, harmonies, and through the instruments themselves."
There is no doubt of the fiery red nature of the music of Jennifer Higdon's Trio.Beginning with abrupt sixteenth-note patterns, huge string chords, and octaves in the bass of the piano, the work soon turns to brilliant up-and-down runs for the strings, complemented by a fast-moving, dissonant piano part accentuated by glissandos. The dynamic is loud, with sudden softer contrasts. Then as the piano part becomes less insistent, a brief interlude emerges with ostinatos for violin and keyboard. After some measures in which all three instruments play in high registers, there comes a recapitulation of sorts with the return of the up-and-down runs while, rondo-like, the ostinato pattern returns in its midst. At the end, the piano plays increasingly powerful chords until all is suddenly resolved on an A major chord.Lincoln Trio
Classical Music | Music for Trio
Jennifer Higdon
Fiery Red for Piano Trio
PlayRecorded on 07/10/2013, uploaded on 02/06/2014
Musician's or Publisher's Notes
"Can music reflect colors and can colors be reflected in music? I have always been fascinated with the connection between painting and music. In my composing, I often picture colors as if I were spreading them on a canvas, except I do so with melodies, harmonies, and through the instruments themselves."
There is no doubt of the fiery red nature of the music of Jennifer Higdon's Trio. Beginning with abrupt sixteenth-note patterns, huge string chords, and octaves in the bass of the piano, the work soon turns to brilliant up-and-down runs for the strings, complemented by a fast-moving, dissonant piano part accentuated by glissandos. The dynamic is loud, with sudden softer contrasts. Then as the piano part becomes less insistent, a brief interlude emerges with ostinatos for violin and keyboard. After some measures in which all three instruments play in high registers, there comes a recapitulation of sorts with the return of the up-and-down runs while, rondo-like, the ostinato pattern returns in its midst. At the end, the piano plays increasingly powerful chords until all is suddenly resolved on an A major chord. Lincoln Trio
More music by Jennifer Higdon
The Gilmore Variation, from 13 Ways of Looking at the Goldberg
Performances by same musician(s)
Piano Trio, Op. 11
Moon Jig
Otoño Porteño (Autumn), The Four Seasons of Buenos Aires
Verano Porteño (Summer), The Four Seasons of Buenos Aires
Trio No. 1 Op. 35
Life Cylce, from Trio for Violin, Cello, and Piano
Après un Rêve
Piano Trio in G minor, Op.15
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